Please join us for this special event, a joint launch of The Fourth Boy by Andrew Robert Wilson and Salt Water Pool Boy by Peter-Adrian Altini at Wordsworth Books Garden Route Mall on Tuesday, 20 May 2025, 17:30 for 18:00. The authors will be in conversation with Karina M. Szczurek.
The literary festival season continues and we are delighted to announce that the following Karavan Press authors will be participating in the Kingsmead Book Fair this year:
09:30-10:00 DOT TO DOT | The Book Room
Meet the Freckolions and the Spots who are bitterly arguing over Face’s vast landscape. Then one day an alien craft descends on Face and sends the Freckolions and Spots into panic! SA actress Lisa Trudoux introduces her first charming and quirky children’s book Dot To Dot which teaches kids the invaluable lessons of self-love and kindness towards others in the most enchanting way.
09:30-10:30 WRITING OUR PAIN: Contending with traumatic narratives | Chapel
Sewela Langeni (Making Friends with Feelings) provides a safe space for Jeffrey Rakabe (Led by Shepherds) and Thobeka Yose (In Silence My Heart Speaks) to chat about transferring pain to the page.
11:00-12:00 PRETTY PROTAGONISTS: Crafting heroines with humanity | Mackenzie 1
Amy Heydenrych (Chasing Marian) examines the creation of the powerful women at the centre of the works of Zukiswa Wanner (Love Marry Kill), Michelle Kekana (The Fragile Mental Health of Strong Women) and Qarnita Loxton (What’s Wrong with June?).
12:30-13:30 INTERNATIONAL RELATIONS: People and place in historical fiction | Lange Hall
Penny Haw (Follow Me To Africa: A Novel), Siphiwe Gloria Ndlovu (The Creation of Half-Broken People) and Louisa Treger (The Paris Muse) discuss facets of historical fiction – beyond the period in which it’s set – that really matter with Michael Boyd (Weight of Shade).
12:30-13:30 Life is the greatest teacher: Writing from experience | Music Centre
Merle Levin (World According to Merle: Memoir of a Deliciously Daring Granny), Costa Ayiotis (Matriarchs, Meze and the Evil Eye: A Memoir) and Glenn Orsmond (Crash and Burn: A CEO’s Crazy Adventures in the SA Airline Industry) tell Karina Szczurek (Karavan Press) about their weird uncles and the strange lady from the office.
14:30-15:30 LITERARY FITION VERSUS GENRE FICTION: What makes a book ‘literary’? | Chapel
Peter-Adrian Altini (Salt Water Pool Boy) and Charl-Pierre Naudé (The Equality of Shadows) discuss style and complexity with Craig Higginson (The Ghost of Sam Webster).
16:00-17:00 Navigating our life stories: Lessons learned and unlearned | Lange Hall
Khaya Dlanga (Life is Like That Sometimes) and Gavin Evans (Son of a Preacher Man) tell Anna Stroud (Who Looks Inside) about what they have learned while writing about themselves.
16:00-17:00 Stretching the imagination: Pushing boundaries in storytelling | Mackenzie 3
Onke Mazibuko (Canary) follows Nick Clelland (Good Hope), Siya Khumalo (The Queer Book of Revelation) and Sam Wilson (The First Murder on Mars) into the detailed, fresh worlds of their books.
16:00-17:00 Publish or perish: Women in the publishing industry | Chapel
Queen bees Karina Szczurek (Karavan Press), Melinda Ferguson (Melinda Ferguson Books) and Zukiswa Wanner (Paivapo Publishing) underline the importance of curating stories from a feminine perspective with Sewela Langeni (Book Circle Capital).
We are delighted to announce that Captive: New Short Fiction from Africa, edited by Helen Moffett and Rachel Zadok, is now available in SA from Karavan Press. First published in the US by Catalyst Press, the new Short Story Day Africa anthology is a literary feast of note.
“What a wonderful addition to the literary landscape, what a delectable survey of the breadth, and indeed depth, of the African literary imaginary.” Idza Luhumyo, 2022 Caine Prize Winner
Contributors
Salma Yusuf | Sola Njoku | Aba Abison | Kabubu Mutua | Emily Perdigo | Doreen Anyango | Khumbo Mahone | Moso Sematlane | N. A. Dawn | Josephine Sokan | Zanta Nkumane
From Short Story Day Africa, eleven writers from Africa and the African diaspora explore the identities that connect us, the obsessions that bewitch us, and the self-delusions that drive us apart. Passion and apathy, creation and destruction, honesty and deception – the blurred lines between these forces are fundamental to the human condition. In three parts, the writers investigate these liminal spaces and rail against the boxes in which others seek to confine them, as writers, as Africans, and as humans. Journey from the fantastical Heaven’s Mouth where time stands still, to a London bus where a neurodiverse woman steals love to the songs of Tom Jones … flip the page to Ghana to examine a fertility fetish, or a post-apocalyptic Lesotho where sentient AI uses our emotions against us … visit the deceptively beautiful islands off the Tanzanian coast, where the ocean is always hungry, and women pay the price. Captive is a riot of imagination, a collision of worlds, and a testament to the shape-shifting nature of the soul.
“The calibre of stories is unsurprising given the authors involved, and the scholarly/editorial skills of editors Helen Moffett and Rachel Zadok … This anthology offers Afrocentric fiction, stories beautifully canvassed and etched out with the finest strokes that sometimes coat stories within stories.” Eugene M. Bacon, Locus Magazine
Introduction
The thirty-three stories contained in this collection are the result of a mentorship curriculum we, with our usual sense of the ridiculous, titled the SSDA Inkubator. The idea for a story incubator was seeded seven years ago in another Short Story Day Africa (SSDA) initiative, a series of bi-weekly flash fiction events held on social media. The popularity of these events highlighted a need within the African writing community for spaces where writers could develop work towards publication. Few such spaces exist on the continent. Of the twenty-two top-ranked universities in Africa for creative writing courses, fifteen are in South Africa (with the top eleven on the list also in South Africa), three are in Nigeria, two are in Ghana, and Mozambique and Zimbabwe each have one. This means that African writers either need to go abroad to further their creative writing ambitions, or create spaces for themselves. The SSDA Inkubator is our endeavour to create such a space, and the twelve writers we selected for the pilot project, run in conjunction with Laxfield Literary Associates and supported by a grant from the British Council, were chosen because their voices were original and diverse, and the messages contained within their submissions powerful enough to one day cause ripples in the zeitgeist. The challenge for the writers when submitting their proposals was that they only had a maximum of one thousand words of prose to convince us they had the raw talent to deliver. SSDA has spent years honing our mission to subvert, reimagine and reclaim the literary landscape for writers from Africa. We have done this by ensuring that we develop and publish a diverse range of voices, looking beyond the expected and polished to the raw, sometimes unhoned, edge that makes a writer’s voice sing. The SSDA Inkubator is by far our most successful development programme in this regard. We found talented writers from the African continent and diaspora and took them on a journey from story seed to final publication, exposing them, via a series of workshops, to the wisdom, techniques and craft of six brilliant African writers and editors, and one British literary agent with her eyes focused on the continent’s literary talent pool. Captive is the result. Divided into three themed parts chosen by the writers as a community, these stories explore some of our most pressing concerns: love, migration, ambition, motherhood, ageing, culture, folklore, AI, mental health, fairytales and possible futures … These are more than stories. In their words these eleven Inkubator Fellows have built bridges across imagined borders, knotted stitches to mend divisions, and written a balm for our fractured global society. We hope you read them with delight, and, after turning the final page, approach your fellows with greater empathy. Rachel Zadok Managing Editor, Short Story Day Africa
The FLF is just around the corner and we are looking forward to another unforgettable bookish experience. Please join the following Karavan Press authors and Friends for a series of exciting events and workshops throughout the festival weekend:
An Icelandic volcano has thrown an ash cloud into the atmosphere and, across the world, planes have stopped flying. Overhead, the skies are severely blue. Leah Nash and Niall Lawrence, twenty-somethings in love, grow strangely restless. They set out on different but parallel pathways. He takes on work at an Antarctic polar station and experiences the strange and lonely beauty of the precarious ice-world. She studies writing in England and struggles to find her way. They are both determined to stay together though separated by thousands of miles. Elleke Boehmer’s Ice Shock is a love-story set against the backdrop of the melting ice-caps. The novel asks what it is to be close even when we are far apart—distant yet proximate. How do we go on loving each other when the environment around us is changing catastrophically by the day?’
PRAISE FOR ICE SHOCK
“Ice Shock is a propulsive and eerie love-story told frame by perilous frame. Threat lurks everywhere in the gaps, beneath surfaces that shift constantly like the melting ice floes of the characters’ real and imagined Antarctic worlds.”—Jason Allen-Paisant, winner of the Forward Prize and T. S. Eliot Prize in 2023
“Light, of all kinds and colours, and the volatile seasonal uncertainty of our world, shapes this warm-blooded love story—and interferes disturbingly with it. A terrific, atmospheric novel that is also a study in thinking and learning how to be a writer.”—Kirsty Gunn, author of The Boy and the Sea, Caroline’s Bikini and other novels
“Elleke Boehmer has given us a love story worth telling. The embrace of a man and a woman, separated by the distance between them—and yet so close. There is no beginning and no end, just the overpowering force of nature, the melting of the polar ice, swallowing life and the dreams of lovers.”—Véronique Tadjo, author of In the Company of Men
“Leah and Niall meet by chance on the night bus from Edinburgh to London and fall in love. They agree to ‘give each other space’ and find themselves separated by a longitudinal parabola that stretches their commitment to breaking point … Elleke Boehmer’s lucid gaze forces the reader to imagine in a more-than-Antarctic light the lacunae of human communication, the relentless otherness of the physical world, and the sheer distance between global ‘north’ and ‘south’.”—Terence Cave, author of Recognitions and Live Artefacts
ISBN: 978-1-0370-5782-3
Publication date: 16 May 2025
ABOUT THE AUTHOR
Born in Durban, South Africa, ELLEKE BOEHMER writes fiction, history, criticism and biography. She is the author of five novels, including Screens against the Sky (shortlisted for the David Higham Prize), Bloodlines (shortlisted for the Sanlam Prize), Nile Baby and The Shouting in the Dark (winner of the Olive Schreiner Prize), and two collections of short stories. Elleke’s To the Volcano, and Other Stories was commended for the ABR Elizabeth Jolley Prize, 2019. Her work has been translated into many languages, including German, Dutch, Portuguese, Italian, Arabic, Thai and Mandarin. Other titles include Indian Arrivals (European Society for English Studies prize-winner, 2016); Nelson Mandela (2008, 2023); Stories of Women (2005); Southern Imagining (2025). Since 2008, she is Professor of World Literature in English at the University of Oxford.
Born in Durban, South Africa, ELLEKE BOEHMER writes fiction, history, criticism and biography. She is the author of five novels, including Screens against the Sky (shortlisted for the David Higham Prize), Bloodlines (shortlisted for the Sanlam Prize), Nile Baby and The Shouting in the Dark (winner of the Olive Schreiner Prize), and two collections of short stories. Elleke’s To the Volcano, and Other Stories was commended for the ABR Elizabeth Jolley Prize, 2019. Her work has been translated into many languages, including German, Dutch, Portuguese, Italian, Arabic, Thai and Mandarin. Other titles include Indian Arrivals (European Society for English Studies prize-winner, 2016); Nelson Mandela (2008, 2023); Stories of Women (2005); Southern Imagining (2025). Since 2008, she is Professor of World Literature in English at the University of Oxford.
Karavan Press is proud to publish Elleke’s latest novel, Ice Shock.
The fifth bi-annual Jewish Literary Festival took place yesterday and it was a day of books, books, books! And sunshine, writers, readers and fascinating conversations. Thank you to all who make this day of dialogue and engagement possible!
Thank you to all the authors for a day of insight and literary joy!
We are thrilled to invite you to the launch of Salt Water Pool Boy, Peter-Adrian Altini‘s debut novel, at Exclusive Books Cavendish on Wednesday, 14 May 2025, 5.30 for 6PM. Peter-Adrian will be in conversation with Alistair Mackay, author of It Doesn’t Have to Be This Way, The Child and The Lucky Ones. Peter-Adrian is visiting all the way from Paris, where he now lives. Please join us for this special event!
When not caring for his ailing mother, twenty-three-year-old Damon can be found swimming laps at the Sea Point Pavilion. Here he meets the confident Nico, who immediately charms him back to his home. Damon is torn between dealing with his mother’s terminal illness and keeping his sexuality a secret from her. His desire to be truthful is tested when her health takes a turn for the worse, forcing him to choose between his young lover and an unspeakable promise to help end her life. A tender portrait of caregiving, the longing for intimacy and the heartbreak of letting go, Salt Water Pool Boy is a sensual exploration of love and loss charting a young man’s journey from Cape Town to Rome to Paris, from working on a film set in Cinecittà and obsessing over a male prostitute, to trying to salvage his long-term relationship by searching for intimacy in a string of one-night stands. When a casual hookup threatens to open old wounds, Damon realises he has yet to fully come to terms with his troubled past.
PRAISE FOR THE BOOK
‘A gifted writer whose work brims with astute emotional insight, tenderness and lyricism.’—Ferdia Lennon, author of Glorious Exploits
‘This novel is a tour de force, delving into the pain and triumph of what it means to live an authentic life, driven by lush sensibility and artistry.’—Nafkote Tamirat, author of The Parking Lot Attendant
‘A devastating exploration of grief, beauty and desire. Salt Water Pool Boy is a compulsive reckoning with what it means to be alive and the lengths we must go to forgive ourselves. Fans of Alan Hollinghurst will adore Peter-Adrian Altini.’—Megan Clement, author of Desire Paths
ISBN: 978-0-6398626-5-1
Publication date: 14 May 2025
ABOUT THE AUTHOR
PETER-ADRIAN ALTINI is a South African writer based in Paris. His screenplays have been optioned by production companies in the UK and his short stories have been published in the Fish Anthology (2019), Iron Horse Literary Review (2021), Storgy Magazine (2021), Fluid Anthology (Short.Sharp.Stories) and ADDA Literary Magazine (2023). He was the winner of the Ernst Van Heerden Creative Writing Award and shortlisted for the Commonwealth Short Story Prize. Salt Water Pool Boy is his debut novel.
PETER-ADRIAN ALTINI is a South African writer based in Paris. His screenplays have been optioned by production companies in the UK and his short stories have been published in the Fish Anthology (2019), Iron Horse Literary Review (2021), Storgy Magazine (2021), Fluid Anthology (Short.Sharp.Stories) and ADDA Literary Magazine (2023). He was the winner of the Ernst Van Heerden Creative Writing Award and shortlisted for the Commonwealth Short Story Prize. Salt Water Pool Boy is his debut novel.