Please join us for an unforgettable evening of poetry and conversation at the beautiful Oude Leeskamer in Stellenbosch on Thursday, 20 February 2025, at 6PM.

Please join us for an unforgettable evening of poetry and conversation at the beautiful Oude Leeskamer in Stellenbosch on Thursday, 20 February 2025, at 6PM.

Please join us for the launch of this incredible collection of essays! Lucienne will be in conversation with Hedley Twidle. Not to be missed!

Please join us for this special occasion! Malika will be in conversation with Makhosazana Xaba.

Please join us for the launch of Malika Lueen Ndlovu‘s Griefseed on Tuesday, 11 February 2025, at Exclusive Books Cavendish. Malika will be in conversation with Barbara Boswell.


You are invited to the first of six planned gatherings this year where you can chat to me, Karina, founder and publisher of Karavan Press, and likeminded writers and readers over a cup of coffee – or tea, of course – about anything related to book-writing-editing-publishing-reading. Karavan Press’s home will be open, and I will be ready to answer your questions and discuss your projects.
No need to RSVP. Just ring the bell between 10AM and 12PM on Saturday, 15 February 2025. Coffee and tea will be served. Karavan Press books will be on sale at great prices.

ABOUT THE BOOK
Griefseed is a gift, an offering from the pen of Malika Ndlovu that seeks to transform the ways we think about and process grief. Multidisciplinary in scope, the text includes poems, personal essays, images, and reflections on grief that punctuate the life story of the poet, offered here as medicine. These creative pieces function as both a window onto an individual woman’s life as she has journeyed with, through and beyond grief; as well as a mirror, inviting the reader to see their own lives and losses reflected within Ndlovu’s. This invitation to sit with grief, hold it, look it in the eye, and tend to it, is also an invocation to consider multigenerational relationships – how grief cements our relationships to the past, to ancestors, to descendants. To note where grief echoes along kinship lines, spreading itself throughout the branches of family trees. How centuries of grief from our grandmothers and grandfathers lodge themselves in our own bodies, crying out for release, relief and processing. If we dare to take up this visceral knowing, grief can transform us, becoming a generative site for renewal, rethinking, recasting. Ndlovu’s words are a balm. She writes in community with sisters, ancestors, children, grandchildren and spirit guides from a beyond to which we are all connected, and to which her work creates pathways. Her work and words heal. Accept the offering. Within the seed of grief lies transformation, transmutation; a settling into the knowledge of the connectedness and oneness of all.
— BARBARA BOSWELL, author of The Comrade’s Wife, Grace: A Novel, And Wrote My Story Anyway: Black South African Women’s Novels as Feminism and editor of Lauretta Ngcobo: Writing as the Practice of Freedom
Publication date: February 2025
ISBN: 978-1-0672224-9-9
Cover photograph and other photographs in the book by Coral Bijoux.
Cover design: Monique Cleghorn
Respondents: Makhosazana Xaba, Janet Aalfs, Hisla Bates, Sarah Malotane Henkeman, Gcobani Qambela, Lindy ‘Gogo Masechaba’ Dlamini, Iman Rappetti, June Bam, FreeQuency, Coral Bijoux, Peter Fox, Pregs Govender, Fiona Ross, Barbara Boswell
ABOUT THE AUTHOR

MALIKA LUEEN NDLOVU is an internationally published South African poet, playwright, performer and arts project manager. Her poetry collections include Born in Africa but (1999), Womb to World: A Labour of Love (2001), Truth is Both Spirit and Flesh (2008), Invisible Earthquake: A woman’s journal through stillbirth (2009), and CLOSE (2017). Her published plays are A Coloured Place (1998) and Sister Breyani (2010).

MALIKA LUEEN NDLOVU is an internationally published South African poet, playwright, performer and arts project manager. For several years, she was the live festival and online curator / presenter for the Africa Centre’s Badilisha Poetry X-Change which pioneered an exclusively African poetry podcasting platform. As a founder-member of Cape Town-based women writers’ collective WEAVE (1998–2004), she co-edited WEAVE’s Ink @ Boiling Point: A selection of 21st Century Black Women’s writing from the Southern Tip of Africa. In 2004, she initiated And The Word Was Woman Ensemble. Her poetry collections include Born in Africa but (1999), Womb to World: A Labour of Love (2001), Truth is Both Spirit and Flesh (2008), Invisible Earthquake: A woman’s journal through stillbirth (2009), and CLOSE (2017). Her published plays are A Coloured Place (1998) and Sister Breyani (2010). She features prominently in Our Words, Our Worlds: Writing on Black South African Women Poets, 2000–2018 (UKZN Press, 2019), edited by Makhosazana Xaba, and in Collaborative Conversations: Celebrating twenty-one years of The Mothertongue Project, edited by Alex Halligey and Sara Matchett (Modjaji Books, 2021).
Originally from KwaZulu-Natal, she has lived in Cape Town for twenty-seven years, where her applied arts practice, specifically within the NGO sector and University-associated programmes, has grown wide and deep roots. She features in UCT’s Medicine and the Arts: Humanizing Healthcare MOOC, which continues to feed into a global conversation on the multiple merits of an interdisciplinary approach using the arts within clinical settings. This MOOC served the development of the Critical Health Humanities in Africa course as part of the MA degree programme in Health Humanities and the Arts, launched in 2022. For WITS University’s Drama For Life 2018 conference, Malika’s keynote address and performance was entitled Poetic Navigation: Mapping creative pathways through trauma, grief and re-membering, using poetry as an integrative process of release, documentation and memorialization. Via her poetic memoir, Invisible Earthquake: A woman’s journal through stillbirth (Modjaji Books, 2009) and website invisiblestill.co.za, Malika has also become a passionately vocal advocate around pregnancy-related loss, bereavement support and maternal health.
Some of Malika’s presentations and collaborations in this sphere /arena include the BAHI (Borrowed Angels Healing Initiative) annual concerts, Saving Newborn Lives, Compassionate Friends CT Chapter, Mowbray Maternity Hospital, Cape Town Midwifery & Birth Conference, Zulu Birth Project at the Human Rights in Childbirth (HRIC) 2015 Africa Summit and the Women Deliver 2019 Conference, the world’s largest conference on gender equality and the health, rights and wellbeing of girls and women, held in Vancouver, Canada. Malika’s story and insights on this subject feature in internationally published articles and interviews, including the Lancet Medical Journal, SANDS (Miscarriage, Stillbirth & Newborn Death Support) Newsletters, BBC World Service, the Bill and Melinda Gates Foundation’s ‘Impatient Optimist’ and WHO’s April 2017 World Health Day online campaign on depression and other mental health issues. In 2019, as the pandemic lockdowns began, she joined the Arts in Psychosocial Support CoP (community of practice), a national network of arts therapists, applied artists and community arts facilitators, and co-hosted its online series called Courageous Conversations. As a member of this CoP and NGO Sp(i)eel Art Therapies Collective, Malika was part of an international research project team which produced Arts For Health South Africa (artsforhealthsa.org.za), funded by UNICEF’s Youth Empowerment and Health / Economic Responses to covid-19 (YEaH). As a community voice and trans-disciplinary practitioner, Malika is a member of the National Management Committee of the UBOMI BUHLE National Pregnancy Exposure Registry Project, contributing to their medical staff training course in the form of a module centred on maternal loss, grieving well and care for the caregivers. ‘Dancing with Mountains’*, her 2020 article on poetry as healing practice, was published by UNISA Press in Education as Change 24.1 (2020) on Decoloniality in/and Poetry.
Passionate about poetry as a form of research, Malika features in Voices Unbound: Poems from the 8th International Symposium of Poetic Inquiry with her three-part event harvesting poem, a commissioned work published by HSRC Press and African Sun Press in 2023. Her multi-modal keynote entitled Re-turning to Ourselves, Our Wealth: Poetic Reflections opened the 2023 Inaugural Conference of the African Humanities Association at UCT. Malika sees her trans-disciplinary work, site-specific ritual performances and multi-media collaborations with various artists as both activism and ancestral medicine work.
*This title references ‘We Will Dance with Mountains’, the work of Dr Bayo Akomolafe: bayoakomolafe.net.
Author photograph: Kamal Ndlovu
Kerry Hammerton, editor of In Other Stories, will be running a few flash workshops this year. Participating authors will have an opportunity to submit their work to her second anthology of flashes.

The first of these takes place on Saturday, 1 February 2025, at the Cape Flats Book Festival and is FREE!

A wonderful opportunity to engage with the form and to attend a great book festival taking place at the same time! The anthology Kerry is compiling will be published by Karavan Press.

To begin with the liturgy of death, here intoned in Latin: pallor mortis, algor mortis, rigor mortis, livor mortis. To begin at the end. To begin with the deep blue marks of lividity blooming against pale skin.
ABOUT THE BOOK
Lucid and lyrical, Lucienne Bestall’s debut collection extends reflections on the seductions and limitations of language. With words and pictures borrowed from literature, contemporary art, art history, and mass media, Except for Breath asks after those experiences that elude simple description and turn instead to image and metaphor.
The collected essays appear an unlikely gathering – taking as their respective subjects death, disappointment, divine love, an unfamiliar city, the news, and headaches. Yet while each is discrete, together they share subtle affinities, their narratives shaped by memory’s imprecisions and dreams retold, by magical thinking and wishful thinking, and coincidence mistaken as sign.
Pairing art writing and life writing, Bestall’s limpid prose is delicately revealing of her subjective encounter with a shared repertoire of familiar texts and images.
Publication date: February 2025
ISBN: 978-1-7764726-5-9
ABOUT THE AUTHOR

LUCIENNE BESTALL is a writer and curatorial researcher based in Cape Town. She holds a degree in Fine Art and an MA in Creative Writing from the University of Cape Town. Lucienne has contributed to several art surveys from Phaidon, and her essay ‘All the Dead’ was included in the anthology Our Ghosts Were Once People (Jonathan Ball, 2022). Another essay, ‘A History of Fire’, was published by Raritan (Rutgers University, 2021) and is listed among the notable essays and literary non-fiction in The Best American Essays anthology (HarperCollins Publishers, 2022).

LUCIENNE BESTALL is a writer and curatorial researcher based in Cape Town. She holds a degree in Fine Art and an MA in Creative Writing from the University of Cape Town. Lucienne has contributed to several art surveys from Phaidon, and her essay ‘All the Dead’ was included in the anthology Our Ghosts Were Once People (Jonathan Ball, 2022). Another essay, ‘A History of Fire’, was published by Raritan (Rutgers University, 2021) and is listed among the notable essays and literary non-fiction in The Best American Essays anthology (HarperCollins Publishers, 2022).