Mannequin Pictures options political thriller Good Hope by Nick Clelland

Mannequin Pictures has optioned the screen rights to the political thriller Good Hope, the debut novel of South African author, political advisor and communications specialist, Nick Clelland, for adaptation into a series. The deal was brokered by literary agent Catrina Wessels on behalf of Karavan Press.

Mannequin, a Johannesburg-based, award-winning production company specialising in South African content for an international audience, plans to produce a high-end series based on Clelland’s gripping, dystopian novel set in an alternative present-day Cape Town.

“It’s a fictional projection of what a breakaway Cape Republic might be like to live in. […] In it, Clelland imagines a totalitarian and surveillance state that projects the perfect Cape society with frightening revelations of what keeps it going,” writes Ferial Haffajee, veteran journalist and newspaper editor, on Daily Maverick, describing it as a must-read novel that she read in one sitting.

“There’s a rich world of story which we would like to see live at its fullest on screen,” says Warwick Eccles, development executive at Mannequin, about Good Hope.

The adaptation will be developed by Mannequin Pictures as part of its growing slate of prestige projects aimed at both local and international audiences.   

About the book

THE WESTERN CAPE IS NOW AN INDEPENDENT COUNTRY. SUCCESSFUL, SAFE, MURDEROUS.

Lisa Robinson has moved from Durban to Cape Town to be with Grant, the prospective next First Minister of the Good Hope Territory. The GHT is the safest and most prosperous country in the southern hemisphere – at a price. Citizens contract to be tracked by drones, executions are synchronised to the Noon Gun and only those with qualifications are permitted to vote in the Qualified Franchise system. Life here is picture-perfect. The Mother City is pristine. Everyone has a job. Tourism is booming. But this shiny new state has decided that Lisa is a problem, and problems here disappear quickly and quietly.

‘A riveting read and a scary glimpse into what happens when liberty is traded for order. Unputdownable.’ — GEORDIN HILL-LEWIS

Publication date: 29 April 2024

ISBN: 978-1-0672224-1-3

About the author

NICK CLELLAND is a political animal. He was elected to the Durban Metropolitan Council in 1996 at the age of twenty-four, and three years later as a Member of Parliament. Though quickly tired of elected politics, he has made a career of it all the same. He has worked as a political advisor, consultant and coach with mayors, ministers, premiers and prime ministers around the world, and was the brains behind Cape Town’s ‘Day Zero’ behaviour change strategy. A keen yet mediocre cyclist, Nick lives in Cape Town.

For rights queries, contact: Catrina Wessels

24 May: Karavan Press at the KBF

The literary festival season continues and we are delighted to announce that the following Karavan Press authors will be participating in the Kingsmead Book Fair this year:

09:30-10:00 DOT TO DOT | The Book Room

Meet the Freckolions and the Spots who are bitterly arguing over Face’s vast landscape. Then one day an alien craft descends on Face and sends the Freckolions and Spots into panic! SA actress Lisa Trudoux introduces her first charming and quirky children’s book Dot To Dot which teaches kids the invaluable lessons of self-love and kindness towards others in the most enchanting way.

09:30-10:30 WRITING OUR PAIN: Contending with traumatic narratives | Chapel

Sewela Langeni (Making Friends with Feelings) provides a safe space for Jeffrey Rakabe (Led by Shepherds) and Thobeka Yose (In Silence My Heart Speaks) to chat about transferring pain to the page.

11:00-12:00 PRETTY PROTAGONISTS: Crafting heroines with humanity | Mackenzie 1

Amy Heydenrych (Chasing Marian) examines the creation of the powerful women at the centre of the works of Zukiswa Wanner (Love Marry Kill), Michelle Kekana (The Fragile Mental Health of Strong Women) and Qarnita Loxton (What’s Wrong with June?).

12:30-13:30 INTERNATIONAL RELATIONS: People and place in historical fiction | Lange Hall

Penny Haw (Follow Me To Africa: A Novel), Siphiwe Gloria Ndlovu (The Creation of Half-Broken People) and Louisa Treger (The Paris Muse) discuss facets of historical fiction – beyond the period in which it’s set – that really matter with Michael Boyd (Weight of Shade).

12:30-13:30 Life is the greatest teacher: Writing from experience | Music Centre

Merle Levin (World According to Merle: Memoir of a Deliciously Daring Granny), Costa Ayiotis (Matriarchs, Meze and the Evil Eye: A Memoir) and Glenn Orsmond (Crash and Burn: A CEO’s Crazy Adventures in the SA Airline Industry) tell Karina Szczurek (Karavan Press) about their weird uncles and the strange lady from the office.

14:30-15:30 LITERARY FITION VERSUS GENRE FICTION: What makes a book ‘literary’? | Chapel

Peter-Adrian Altini (Salt Water Pool Boy) and Charl-Pierre Naudé (The Equality of Shadows) discuss style and complexity with Craig Higginson (The Ghost of Sam Webster).

16:00-17:00 Navigating our life stories: Lessons learned and unlearned | Lange Hall

Khaya Dlanga (Life is Like That Sometimes) and Gavin Evans (Son of a Preacher Man) tell Anna Stroud (Who Looks Inside) about what they have learned while writing about themselves.

16:00-17:00 Stretching the imagination: Pushing boundaries in storytelling | Mackenzie 3

Onke Mazibuko (Canary) follows Nick Clelland (Good Hope), Siya Khumalo (The Queer Book of Revelation) and Sam Wilson (The First Murder on Mars) into the detailed, fresh worlds of their books.

16:00-17:00 Publish or perish: Women in the publishing industry | Chapel

Queen bees Karina Szczurek (Karavan Press), Melinda Ferguson (Melinda Ferguson Books) and Zukiswa Wanner (Paivapo Publishing) underline the importance of curating stories from a feminine perspective with Sewela Langeni (Book Circle Capital).

Full programme: KBF 2025

Get your KBF tickets here: Webtickets

Captive: New Short Fiction from Africa, edited by Helen Moffett and Rachel Zadok, now available in SA from Karavan Press

We are delighted to announce that Captive: New Short Fiction from Africa, edited by Helen Moffett and Rachel Zadok, is now available in SA from Karavan Press. First published in the US by Catalyst Press, the new Short Story Day Africa anthology is a literary feast of note.

“What a wonderful addition to the literary landscape, what a delectable survey of the breadth, and indeed depth, of the African literary imaginary.”
Idza Luhumyo, 2022 Caine Prize Winner

Contributors

Salma Yusuf | Sola Njoku | Aba Abison | Kabubu Mutua | Emily Perdigo | Doreen Anyango | Khumbo Mahone | Moso Sematlane | N. A. Dawn | Josephine Sokan | Zanta Nkumane

From Short Story Day Africa, eleven writers from Africa and the African diaspora explore the identities that connect us, the obsessions that bewitch us, and the self-delusions that drive us apart.
Passion and apathy, creation and destruction, honesty and deception – the blurred lines between these forces are fundamental to the human condition. In three parts, the writers investigate these liminal spaces and rail against the boxes in which others seek to confine them, as writers, as Africans, and as humans.
Journey from the fantastical Heaven’s Mouth where time stands still, to a London bus where a neurodiverse woman steals love to the songs of Tom Jones … flip the page to Ghana to examine a fertility fetish, or a post-apocalyptic Lesotho where sentient AI uses our emotions against us … visit the deceptively beautiful islands off the Tanzanian coast, where the ocean is always hungry, and women pay the price. Captive is a riot of imagination, a collision of worlds, and a testament to the shape-shifting nature of the soul.


“The calibre of stories is unsurprising given the authors involved, and the scholarly/editorial skills of editors Helen Moffett and Rachel Zadok … This anthology offers Afrocentric fiction, stories beautifully canvassed and etched out with the finest strokes that sometimes coat stories within stories.”
Eugene M. Bacon, Locus Magazine

Introduction

The thirty-three stories contained in this collection are the result of a mentorship curriculum we, with our usual sense of the ridiculous, titled the SSDA Inkubator. The idea for a story incubator was seeded seven years ago in another Short Story Day Africa (SSDA) initiative, a series of bi-weekly flash fiction events held on social media. The popularity of these events highlighted a need within the African writing community for spaces where writers could develop work towards publication. Few such spaces exist on the continent. Of the twenty-two top-ranked universities in Africa for creative writing courses, fifteen are in South Africa (with the top eleven on the list also in South Africa), three are in Nigeria, two are in Ghana, and Mozambique and Zimbabwe each have one. This means that African writers either need to go abroad to further their creative writing ambitions, or create spaces for themselves.
The SSDA Inkubator is our endeavour to create such a space, and the twelve writers we selected for the pilot project, run in conjunction with Laxfield Literary Associates and supported by a grant from the British Council, were chosen because their voices were original and diverse, and the messages contained within their submissions powerful enough to one day cause ripples in the zeitgeist. The challenge for the writers when submitting their proposals was that they only had a maximum of one thousand words of prose to convince us they had the raw talent to deliver.
SSDA has spent years honing our mission to subvert, reimagine and reclaim the literary landscape for writers from Africa. We have done this by ensuring that we develop and publish a diverse range of voices, looking beyond the expected and polished to the raw, sometimes unhoned, edge that makes a writer’s voice sing. The SSDA Inkubator is by far our most successful development programme in this regard. We found talented writers from the African continent and diaspora and took them on a journey from story seed to final publication, exposing them, via a series of workshops, to the wisdom, techniques and craft of six brilliant African writers and editors, and one British literary agent with her eyes focused on the continent’s literary talent pool.
Captive is the result. Divided into three themed parts chosen by the writers as a community, these stories explore some of our most pressing concerns: love, migration, ambition, motherhood, ageing, culture, folklore, AI, mental health, fairytales and possible futures …
These are more than stories. In their words these eleven Inkubator Fellows have built bridges across imagined borders, knotted stitches to mend divisions, and written a balm for our fractured global society. We hope you read them with delight, and, after turning the final page, approach your fellows with greater empathy.
Rachel Zadok
Managing Editor, Short Story Day Africa

ISBN: 978-1-7764726-4-2

Publication date: May 2025