An Island by Karen Jennings launched last night at EB Cavendish

Photo by Penny Haw

A lot stood in its way – geography, a pandemic, international lockdowns and other more mundane challenges – but, at last, we managed to be on the same continent and in one place, in a bookshop that was open and could welcome readers, and could finally celebrate the book that brought us all together: An Island. The novel itself has been through quite a lot since its official publication in December 2020. A Booker longlist, a K. Sello Duiker Memorial Award and around twenty different editions world-wide (published and planned) later, and we could officially launch Karen’s stunning novel.

Thank you to Linda and the entire team at Exclusive Books Cavendish for making the event happen, to Karen for sharing her stories with us, and to all who attended. An evening to remember!

Photo by Annette Snyckers

Book review: Gagman by Dov Fedler and Joanne Fedler

During my teens and twenties I gorged on Holocaust books until I could read no more, sickened to a point of no return. The depravity of that particular period and its effect on me made me swear never to read one again, and I never did.

I also avoid holocaust-themed movies and particularly the recent slew superficial ‘holocaust porn’ fiction like that Tattooist of Auschwitz book who’s insulting plot left me brooding darkly for days (I didn’t read it, but read reviews describing it in execrable detail).

And so when iconic cartoonist and writer Dov Fedler (a friend) and his daughter, writer Joanne Fedler (a friend) asked me to take a look at their joint effort, Gagman, I bowed out apologetically. I could simply not deal with its background and catalyst.- the camps of the holocaust.

Also, I try not to review books by friends. But the authors are not just friends, they are dear friends. So I relented and read it over the last few days.

The book is a soaring achievement, a great unrestrained explosion of creative imagination. Part novel, part history, part polemic, part graphic novel, part comedian’s philosophical musings, part confessional, part autobiography.

It is, by design, outside of any easily defined genre.

At is core, it is the story of one man, a minor conman and wiseguy who survives the camps by making the sadistic commandant laugh everyday. By telling jokes.

If he ever stops being funny, he dies. If he is funny, the commandant kills other Jews, but not our Gagman. And so he survives, day by day, as his campmates die around him, killed because of his comic survival skills.

The plot would be clever if it stopped here, but the (short) book grows other layers. The gagman’s relationship with the commandant morphs into an important and surprising climax (I won’t spoil.)

Our hero escapes the camp, meets Goering, finds his way to New York, and hangs on to life. He finds at least some redemption, not though faith, but through his adulation of the comic book hero Superman (created in real life by two Jews from Cleveland) and eventually and definitively from continuing to share his gift of making people laugh.

This book is a entirely new and wildly inventive addition to the canon of ‘serious’ Holocaust literature, notwithstanding that it boasts Jewish humour as its psychic fuel, and it deserves a wide readership.

It now increasingly stocked in various Holocaust and similar museum bookstores worldwide, but sadly not yet with national or international retail bookstores. If you want to read it, ask your bookstore to order though Protea Distributors.

It is an important book. Even if you, like me, cannot bear to read anything related to that sad time. Make an exception of this one.

Review by Steven Boykey Sidley, first posted on the Good Book Appreciation Society FB page

BOOK EXCERPT: Chilling and intriguing, Joy Watson’s debut novel, The Other Me

Sedick got his way and Carnita moved into our flat at the beginning of February. From the minute she arrived on our doorstep with her suitcase, she was always trying to monopolise him. Needing his advice, wanting to talk to him. They would sit on the couch for hours ‘talking things through’. It felt as though I was the guest in our home. Sometimes they watched stupid TV shows until late at night. I would lie in bed, alone, the married woman whose husband was busy entertaining his sister. I remembered how he told me on our first date that Carnita was his number one priority and probably always would be. Not under my watch. There was no way on God’s earth that I was putting up with her. She couldn’t stay in the flat. But she had to be the one to make the decision to move out, with, of course, a little help from me. 

On the day Carnita moved in, I cooked a crayfish curry for dinner. Precious soul that she was, Carnita was allergic to shellfish. Knowing that she was a sucker for old-fashioned dining rituals, I wanted to set the dining table with a white tablecloth, but decided not to. Sedick had chosen a tempered glass dining table for the flat, mounted on two triangular stilts also made from glass. He was insistent that we not use tablecloths. Instead, I lit the candles mounted on the wall behind the table, each set in a metal circle. Popping a bottle of champagne, I poured three glasses and handed Carnita’s to her on a little tray. 

‘Is it non-alcoholic champagne?’ she said. 

‘God no. What would be the point?’ 

‘I don’t drink any alcohol.’

That’s the thing about Carnita. She always does exactly as she’s told. No mind of her own. As if God cared, one little glass of bubbly was not going to end the world. 

‘No worries,’ I said, ‘I’ll get you a glass of juice.’

After taking the rice off the stove, I called to Sedick and Carnita that they should take their places at the table. It was hard getting them to hear me; they were so busy laughing at some stupid story about an aunt who had gone to the movies and watched a film wearing her sunglasses, thinking they were 3D glasses.

When they eventually sat down at the table, I put the curry down, saying, ‘Here we go, I hope you’re going to like it. I know crayfish curry is your favourite, Carnita.’

Sedick looked aghast, ‘Oh no, Lolly! Carnita is allergic to shellfish. I told you. Why didn’t you make mutton curry?’

‘Really?’ I said. ‘I don’t remember that. I’m so sorry Carnita. I wanted to make something special for your first night with us. Now I’ve gone and ruined it.’

Carnita eyed the curry, the disappointment on her face evident. 

‘No, it’s totally okay. Please don’t worry about it, Lolly. Shellfish makes me break out in a rash. I can make myself a sandwich.’

I sat down, pulling my plate towards me, ‘Are you sure? There’s some cheese in the fridge.’ 

The smell of coriander and garlic was making me hungry. I spooned some curry onto my plate, added a roti and settled down to eat. The crayfish was soft in my mouth. Sedick was staring at me as if he had lost something in my face. I hummed along to the sound of Celine Dion playing in the background.

‘Don’t you think we should wait for our guest to finish making her sandwich?’ Sedick asked. 

Breaking off a piece of roti and dipping it into the curry sauce, I said, ‘She’s not a guest. She lives here now.’  

Continue reading: Daily Maverick Life

The Other Me by Joy Watson

Read also Joy’s article about the forthcoming Open Book Festival: Countdown to the Open Book Festival – A learning powerhouse that adds colour to our cognitive deficits

And book your tickets for Joy’s events at the Open Book Festival: Karavan Press authors at the Open Book Festival 2022

Karavan Press title: The Other Me by Joy Watson

Willing myself not to look away, I tried to make out her features and realised, with a jolt, that she looked exactly like me. Like me, but different. Something about how she held herself told me that this girl was as strong as steel. I knew instinctively that I should not look away. Then the Other Me smiled and said, ‘Don’t worry Lolly. I’ve got this.’

Who is Lolly, really? And who is the man who claims to love her? What happens when they drop their carefully constructed masks and allow their real selves to be seen?

Chillingly intriguing, Joy Watson’s debut novel paints a portrait of a woman who will do anything to escape the damage of her past, refusing to accept that she can’t have it all, no matter what the price. The moral ambiguities and shifting revelations of The Other Me create an ingenious page-turner that will draw you in and confound you at every turn.

‘I couldn’t stop reading The Other Me. It is so many things – funny, dark, complex, heart-breaking. It haunted me long after I was done. Not to be missed.’ — Qarnita Loxton

‘Some books speak to the times. The Other Me is both an artistic and ethical enterprise. In the face of such staggering rates of violence against women, Joy Watson accomplishes something that our society repeatedly fails to do, which is to listen well to survivors of domestic violence no matter who they are.’ — Bongani Kona

‘Twisting, turning and brimming with intrigue, The Other Me tells the story of a woman determined to reinvent herself, the man she meets, the lengths each will go to get what they want, and how they deal with the people who stand in their way. Joy Watson is a masterful storyteller and her novel wouldn’t let me sleep until I had turned the last page.’ — Máire Fisher

Publication date: March 2022

ISBN: 978-0-620-96485-2

Also available on Kindle: The Other Me by Joy Watson

JOY WATSON is a feminist researcher and writer. Her areas of specialisation are analysing public policy and service delivery, as well as tracking funding flows from the perspective of building social equity. She has many years of experience in developing feminist responses to public policy and has worked on research initiatives in South Africa as well as internationally, including for the UN Habitat’s Safer Cities programme and UN Women initiatives. She is currently Chair of the Board of the Women on Farms Project and sits on the Coordinating Committee of the Coalition of Feminists for Social Change. Joy is also in the process of finalising her PhD on rape and public policy at the University of Stellenbosch. Together with Amanda Gouws, she has co-edited the book, Nasty Women Talk Back: A Collection of Feminist Essays on the Global Women’s Marches (Imbali, 2018). You can find her book reviews and reflections on life and its joys and sorrows on the pages of Daily Maverick Life.

Author photograph: Nazreen Essack

Author: Joy Watson

JOY WATSON is a feminist researcher and writer. Her areas of specialisation are analysing public policy and service delivery, as well as tracking funding flows from the perspective of building social equity. She has many years of experience in developing feminist responses to public policy and has worked on research initiatives in South Africa as well as internationally, including for the UN Habitat’s Safer Cities programme and UN Women initiatives. She is currently Chair of the Board of the Women on Farms Project and sits on the Coordinating Committee of the Coalition of Feminists for Social Change. Joy is also in the process of finalising her PhD on rape and public policy at the University of Stellenbosch. Together with Amanda Gouws, she has co-edited the book, Nasty Women Talk Back: A Collection of Feminist Essays on the Global Women’s Marches (Imbali, 2018). You can find her book reviews and reflections on life and its joys and sorrows on the pages of Daily Maverick Life.

Author photograph: Nazreen Essack

AN ISLAND by Karen Jennings to be launched at EB Cavendish

After the incredible journey that Karen Jennings and An Island have travelled since the publication of the highly acclaimed novel, it is simply wonderful to be able to finally launch the book officially at a bookshop in the company of the author, who is now living in South Africa again. Please join us on the 24th of March at Exclusive Books for this special occasion!

Karen will be in conversation with Karina Szczurek. We look forward to seeing you there and celebrating together!

Women power at Liberty Books

When Christy Weyer of Liberty Books mentioned the thematic connections she spotted between Cathy Park Kelly’s memoir, Boiling a Frog Slowly, and Penny Haw’s novel, The Wilderness Between Us, I was thrilled about the possibility of her exploring the themes in a conversation with the two authors. Last night, Christy made it happen, and it was magic! The three inspiring women spoke about relationships, abuse, survival and empowerment, and the people who gathered in the audience were enthralled.

Thank you, Christy, Cathy and Penny – and Liberty Books! And thank you to all who attended, especially those who shared their stories of abuse and survival.

We also celebrated the reprint of Cathy’s memoir, Boiling a Frog Slowly – congratulations, Cathy!

Cathy Park Kelly & Penny Haw at Liberty Books, 10 March 2022

When Christy Weyer of Liberty Books read Penny Haw’s novel, The Wilderness Between Us, and Cathy Park Kelly’s memoir, Boiling a Frog Slowly, she immediately saw the fascinating connection between the two books and offered to host an event with the authors. It’s happening at the bookshop on the 10th of March and you will not want to miss it!

“I’ve been fangirling about Cathy Park Kelly’s Boiling a Frog Slowly all the way down to my tippy toes and am delighted to announce that Cathy will be visiting Liberty on Thursday 10 March to discuss her heart-breaking, soul-healing, truth-telling and life-affirming memoir!
Cathy will be joined by another wonderful wordsmith who delves with sensitivity & acuity into women’s interior lives and relationships,” says Christy. “The Wilderness Between Us places a group of old friends on a hiking trail in the Tsitstikamma, puts them under pressure and then meticulously examines the fault-lines, fallout and freedom to find and fortify truer, stronger selves. With its emotional acuity and focus on relationships and resilience, The Wilderness Between Us resonates with Cathy Park Kelly’s Boiling a Frog Slowly, and I’m delighted to announce that Penny and Cathy will both be at Liberty Books on Thursday 10 March to discuss their beautiful books!”