“Grace is not to walk on water, but to sink without resistance. I let the darkest of thoughts overcome me. To have a child, I say, is exhausting, and he will run to me, he will fall asleep in my arms. I am nineteen years old, but my logic is sound—he who fucks a child cannot raise one.”
JRB
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The tunnel had once been a passage through the world; now it was the world.
One evening in early autumn, ten people drive into a tunnel through the Cape mountains – and find themselves trapped.
As their limited supplies dwindle, what do they do? Where can they go? What will they find?
Tunnel burrows deep into the psychologies and coping strategies that connect and disconnect these protagonists in a dark, tense and compelling human drama.
An urgent new novel, told through many eyes; a journey – terrific and mystical – through despair, memory, and love.
Publication date: May 2023
ISBN: 978-0-6397-7485-5
NICK MULGREW was born in Durban in 1990. He writes novels, short fiction and poetry.
Among his accolades are the 2016 Thomas Pringle Prize, the 2018 Nadine Gordimer Award, and a Mandela Rhodes Scholarship. His debut novel, A Hibiscus Coast, won the 2022 K. Sello Duiker Memorial Award.
Since 2014 he has directed uHlanga, an acclaimed poetry press. He currently lives in Scotland, where he studies at the University of Dundee.
Everything was familiar, but not enough to be comforting.
Fourteen rich and entangled stories set on the cosmopolitan Southern African coast and its hinterland.
Journey on broken-family vacations, or into canefields where clouds of birds fill the sky. Join a postman on his jaunt into the weird world of the ultra rich, or descend into a haunting colonial purgatory.
Meet people from all walks of life as they try to navigate them, stuck between a fragmented present and an unspeakable past.
WINNER of the 2016 THOMAS PRINGLE PRIZE
SHORTLISTED for the 2015 WHITE REVIEW PRIZE
“One never gets bored in the company of Nick Mulgrew.”
– Jean-Paul Beaumier, Nuit Blanche
Publisher: This edition Karavan Press
(First published in Cape Town by David Philip Publishers in 2016)
Publication date: May 2023
ISBN: 978-0-6397-7839-6
Mostly I hope there is no heaven, just so you’ll never see how I’m doing.
Audacious, imaginative tales of killer eagles and paintball guns, tattoo removal and animal sanctuaries, pornographers and biltong makers; of a South Africa concurrently too strange and too familiar for comfort.
With trademark poetic and spiritual flair, these stories combine comedy and grief, spectacle, sex, and nostalgia.
WINNER of the 2018 NADINE GORDIMER AWARD
A SUNDAY TIMES BOOK OF THE YEAR 2017
“Full of the possible becoming probable, of the mundane made massive, of leviathans glimpsed out of the corner of an eye.”
– Russell Grant, Mail & Guardian
“An accomplished writer [who] handles both the horror and banality of experience.”
– Diane Awerbuck, Sunday Times
Publisher: This edition Karavan Press
(First published in Cape Town by David Philip Publishers in 2017)
Publication date: May 2023
ISBN: 978-0-6397-7840-2
NICK MULGREW was born in Durban in 1990. He writes novels, short fiction and poetry.
Among his accolades are the 2016 Thomas Pringle Prize, the 2018 Nadine Gordimer Award, and a Mandela Rhodes Scholarship. His debut novel, A Hibiscus Coast, won the 2022 K. Sello Duiker Memorial Award.
Since 2014 he has directed uHlanga, an acclaimed poetry press. He currently lives in Scotland, where he studies at the University of Dundee.
Two Karavan Press authors are speaking about their work at this year’s edition of the Franschhoek Literary Festival (FLF): Lester Walbrugh and Lethokuhle Msimang.
Click on the images below to book your ticket for the individual sessions.
You can buy their books in advance of the festival via the FLF website (and Exclusive Books):
Two other Karavan Press authors – Joy Watson and Nancy Richards – are chairing a few sessions:
We look forward to seeing you in Franschhoek!
Since 2015, Kim Gurney has published from arts-based research three books where contemporary art tells larger stories about the urban everyday, collective life, and social imaginaries, with a fourth in the works for 2023. These have generally focused upon ‘offspaces’ – exploring public space in Johannesburg inner-city through walking, new media and performance art; the artistic inner life of a studio building in existential limbo; the working principles of non-profit project spaces on the continent; and the invisible labours revealed by a back room institutional archive. Kim will share the processes behind assembling publications as creative outcomes which aim to perform the subject matter, and the challenges involved.
The books referenced in this talk are: The Art of Public Space: Curating and Re-imagining the Ephemeral City (Palgrave Macmillan, 2015), August House is Dead, Long Live August House – The story of a Johannesburg Atelier (Fourthwall, 2017), Panya Routes: Independent art spaces in Africa (Motto, 2022), & Flipside – The Inadvertent Archive,which is currently in production with iwalewabooks (Bayreuth, Lagos & Jhb).
Dr Kim Gurney is based at the Centre for Humanities Research, University of the Western Cape, where she has been investigating sites of counterfactual imagination – independent art spaces, back room archives, and artisanal workshops. She brings a fusion of fine art, urban studies, and journalistic expertise together, favouring arts-based methods and experimenting with narrative forms. Her own art practice largely concerns disappearances of different kinds and makes restorative gestures – spanning studio work, public art, discourse and curation. She runs ad hoc a nomadic platform guerilla gallery; in 2023, it inhabits The Shed – a tiny space for big ideas. Kim has extensive experience as a writer and former editor in different genres, currently focused upon book projects.
Kim’s Panya Routes and August House is Dead, Long Live August House – The story of a Johannesburg Atelier are distributed by Karavan Press and Protea Distribution.
ABOUT THE BOOK
INTIMACY AND INJURY maps the travels of the global #MeToo movement in India and South Africa. Both countries have shared the infamy of being labelled the world’s ‘rape capitals’, with high levels of everyday gender-based and sexual violence. At the same time, both boast long histories of resisting such violence and its location in wider cultures of patriarchy, settler colonialism and class and caste privilege.
Voices and experiences from the global north have dominated debates on #MeToo which, although originating in the US, had considerable traction elsewhere, including in the global south. In India, #MeToo revitalised longstanding feminist struggles around sexual violence, offering new tactics and repertoires. In South Africa, it drew on new cultures of opposing sexual violence that developed online and in student protests. There were also marked differences in the ways in which #MeToo travelled in both countries, pointing to older histories of power, powerlessness and resistance. Through the lens of the #MeToo moment, the book tracks histories of feminist organising in both countries, while also revealing how newer strategies extended or limited these struggles.
INTIMACY AND INJURY is a timely mapping of a shifting political field around gender-based violence in the global south. In proposing comparative, interdisciplinary, ethnographically rich and analytically astute reflections on #MeToo, it provides new and potentially transformative directions to scholarly debates that are rarely brought into conversation with one another. With contributors located exclusively in South Africa and India, this book builds transnational feminist knowledge and solidarity in and across the global south.
EDITORS
Nicky Falkof is Associate Professor of Media Studies at the University of the Witwatersrand.
Shilpa Phadke is Professor at the School of Media and Cultural Studies, Tata Institute of Social Sciences, Mumbai.
Srila Roy is Associate Professor of Sociology at the University of the Witwatersrand.
Publisher: Manchester University Press
South African distribution partner: Karavan Press and Protea Distribution
ISBN (SA edition): 9780639749204
For Sale in South Africa and Namibia only. Not for export elsewhere.
Publication date: UK edition 2022, SA edition 2023
Dear Readers,
The Book Lounge is running a special this week that should not be resisted.
20% off for The Frightened by Lethokuhle Msimang, R208 instead of R260. Offer valid until 30 April.
We promise you that you will want to have a copy of the first edition of this book.
Literary greetings,
Karavan Press
Click here to order: The Frightened by Lethokuhle Msimang
Earlier today, Karen Jennings addressed the Rondebosch Book Club about her novel, An Island. She called her talk “The novel no one wanted to publish”. She had a copy of the UK edition of the book with her. It was the first time I held it in my hands. Until it was published, I did not know that one of the quotes used for its cover would be taken from a review I wrote of Space Inhabited by Echoes, Karen’s debut poetry collection, for the Cape Times. I am so happy that these words are featured on the back of the novel. I have loved Karen’s work for a very long time. It is such an honour to be able to publish it in South Africa.
An Island is now available in seventeen different editions around the world.
This is Karavan Press’s:
At the end of her talk, Karen read from her new novel, Crooked Seeds, to be published around the world in April 2024! We can’t wait to share it with South African readers.
It gives us great joy to announce that Karavan Press author Michael Boyd has been shortlisted for the Commonwealth Short Story Prize 2023 with his story “Mama Blue”. Michael’s debut novel, The Weight of Shade, is forthcoming from Karavan Press.
“The story of a man remembering his life through the memories of his neighbour, Mama Blue. With touches of the magical, ‘Mama Blue’ is about hope in our ever-changing world, and how we can use the past to look forward.”
You can listen to Michael talk about his story here: “Mama Blue”
Congratulations, Michael, and all shortlisted authors!
Look out for The Weight of Shade, a haunting, gothic tale that explores the bearing of the past on our lives and whether we can ever escape the circumstances thrust upon us.
karavanpress.com 