Mannequin Pictures options political thriller Good Hope by Nick Clelland

Mannequin Pictures has optioned the screen rights to the political thriller Good Hope, the debut novel of South African author, political advisor and communications specialist, Nick Clelland, for adaptation into a series. The deal was brokered by literary agent Catrina Wessels on behalf of Karavan Press.

Mannequin, a Johannesburg-based, award-winning production company specialising in South African content for an international audience, plans to produce a high-end series based on Clelland’s gripping, dystopian novel set in an alternative present-day Cape Town.

“It’s a fictional projection of what a breakaway Cape Republic might be like to live in. […] In it, Clelland imagines a totalitarian and surveillance state that projects the perfect Cape society with frightening revelations of what keeps it going,” writes Ferial Haffajee, veteran journalist and newspaper editor, on Daily Maverick, describing it as a must-read novel that she read in one sitting.

“There’s a rich world of story which we would like to see live at its fullest on screen,” says Warwick Eccles, development executive at Mannequin, about Good Hope.

The adaptation will be developed by Mannequin Pictures as part of its growing slate of prestige projects aimed at both local and international audiences.   

About the book

THE WESTERN CAPE IS NOW AN INDEPENDENT COUNTRY. SUCCESSFUL, SAFE, MURDEROUS.

Lisa Robinson has moved from Durban to Cape Town to be with Grant, the prospective next First Minister of the Good Hope Territory. The GHT is the safest and most prosperous country in the southern hemisphere – at a price. Citizens contract to be tracked by drones, executions are synchronised to the Noon Gun and only those with qualifications are permitted to vote in the Qualified Franchise system. Life here is picture-perfect. The Mother City is pristine. Everyone has a job. Tourism is booming. But this shiny new state has decided that Lisa is a problem, and problems here disappear quickly and quietly.

‘A riveting read and a scary glimpse into what happens when liberty is traded for order. Unputdownable.’ — GEORDIN HILL-LEWIS

Publication date: 29 April 2024

ISBN: 978-1-0672224-1-3

About the author

NICK CLELLAND is a political animal. He was elected to the Durban Metropolitan Council in 1996 at the age of twenty-four, and three years later as a Member of Parliament. Though quickly tired of elected politics, he has made a career of it all the same. He has worked as a political advisor, consultant and coach with mayors, ministers, premiers and prime ministers around the world, and was the brains behind Cape Town’s ‘Day Zero’ behaviour change strategy. A keen yet mediocre cyclist, Nick lives in Cape Town.

For rights queries, contact: Catrina Wessels

24 May: Karavan Press at the KBF

The literary festival season continues and we are delighted to announce that the following Karavan Press authors will be participating in the Kingsmead Book Fair this year:

09:30-10:00 DOT TO DOT | The Book Room

Meet the Freckolions and the Spots who are bitterly arguing over Face’s vast landscape. Then one day an alien craft descends on Face and sends the Freckolions and Spots into panic! SA actress Lisa Trudoux introduces her first charming and quirky children’s book Dot To Dot which teaches kids the invaluable lessons of self-love and kindness towards others in the most enchanting way.

09:30-10:30 WRITING OUR PAIN: Contending with traumatic narratives | Chapel

Sewela Langeni (Making Friends with Feelings) provides a safe space for Jeffrey Rakabe (Led by Shepherds) and Thobeka Yose (In Silence My Heart Speaks) to chat about transferring pain to the page.

11:00-12:00 PRETTY PROTAGONISTS: Crafting heroines with humanity | Mackenzie 1

Amy Heydenrych (Chasing Marian) examines the creation of the powerful women at the centre of the works of Zukiswa Wanner (Love Marry Kill), Michelle Kekana (The Fragile Mental Health of Strong Women) and Qarnita Loxton (What’s Wrong with June?).

12:30-13:30 INTERNATIONAL RELATIONS: People and place in historical fiction | Lange Hall

Penny Haw (Follow Me To Africa: A Novel), Siphiwe Gloria Ndlovu (The Creation of Half-Broken People) and Louisa Treger (The Paris Muse) discuss facets of historical fiction – beyond the period in which it’s set – that really matter with Michael Boyd (Weight of Shade).

12:30-13:30 Life is the greatest teacher: Writing from experience | Music Centre

Merle Levin (World According to Merle: Memoir of a Deliciously Daring Granny), Costa Ayiotis (Matriarchs, Meze and the Evil Eye: A Memoir) and Glenn Orsmond (Crash and Burn: A CEO’s Crazy Adventures in the SA Airline Industry) tell Karina Szczurek (Karavan Press) about their weird uncles and the strange lady from the office.

14:30-15:30 LITERARY FITION VERSUS GENRE FICTION: What makes a book ‘literary’? | Chapel

Peter-Adrian Altini (Salt Water Pool Boy) and Charl-Pierre Naudé (The Equality of Shadows) discuss style and complexity with Craig Higginson (The Ghost of Sam Webster).

16:00-17:00 Navigating our life stories: Lessons learned and unlearned | Lange Hall

Khaya Dlanga (Life is Like That Sometimes) and Gavin Evans (Son of a Preacher Man) tell Anna Stroud (Who Looks Inside) about what they have learned while writing about themselves.

16:00-17:00 Stretching the imagination: Pushing boundaries in storytelling | Mackenzie 3

Onke Mazibuko (Canary) follows Nick Clelland (Good Hope), Siya Khumalo (The Queer Book of Revelation) and Sam Wilson (The First Murder on Mars) into the detailed, fresh worlds of their books.

16:00-17:00 Publish or perish: Women in the publishing industry | Chapel

Queen bees Karina Szczurek (Karavan Press), Melinda Ferguson (Melinda Ferguson Books) and Zukiswa Wanner (Paivapo Publishing) underline the importance of curating stories from a feminine perspective with Sewela Langeni (Book Circle Capital).

Full programme: KBF 2025

Get your KBF tickets here: Webtickets