We’re putting this precious book into your hands. May the stories in it touch your hearts and your sense of patriotism – may it inspire you to be a part of changing the gross inequities in our society. May it grant you grace in truly ‘seeing’ others who are different. May it inspire you to reimagine what our future can look like. We have a beautiful country, let’s find ways of saving it.
Yours in striving for social equity,
Joy Watson and Ogochukwu Nzewi
August 2023
The first review is in. The book will hit our bookshelves next week!
… It is an unsettling series of stories, as death is, and could be considered a book of poems rather than prose; rare is the paragraph that does not contain an arresting image or original turn of phrase. It is a world in which, refreshingly, expectations are not met:
“My doctor said I should watch my diet and suggested a pacemaker. I ignored him. And my son. Who I knew was hoping to one day have it out with me. I had been avoiding serious conversations with him since he started showing an interest in them at age thirteen. There would no doubt be consequences. And now, hospital-bound, tied to a bed by tubes, I can no longer escape him.” – Extract from ‘She said she was from the future’.
And yes, everyone does die, and not in a climactic Game of Thrones sense, despite the subtitle: A series. The drama here is internal, muted. Often it is not so much that someone – mostly the narrator – dies, as life having escaped, or at the very least been let go of …
It was the story of his country, he supposed. Perhaps they could have been friends. Perhaps they were once. The reasons were complex, full of feeling, disappointment, resentment. And, of course, betrayal. This was the Middle East after all.
Avi Dahan, a retired detective mourning his beloved wife in Tel Aviv, and Khalid Mansour, a Palestinian doctor confronting the precarious reality of living in Gaza City, are still reeling from the political fallout that jeopardised their delicate friendship. When a mysterious corpse scarred by history and forbidden love shows up in Khalid’s emergency room, he reaches out to Avi for help. Though the detective is the only one who might be able to assist, he is the last person on earth to agree …
The stage is set for Andrew Brown’s unforgettable new novel, The Bitterness of Olives.
Did it really matter? In the face of chaos, was it important how she had died? That was the guidance he needed from Avi now. He needed to understand that question: did it matter anymore? Was it of any significance, how you died in a war?
ANDREW BROWN is an advocate and a sergeant in the saps reserves and police liaison officer for the Child Protection Unit at Red Cross Children’s Hospital. He is the author of two non-fiction books and five novels, including Coldsleep Lullaby, winner of the Sunday Times Prize for Fiction in 2006, and Refuge, shortlisted for the Commonwealth Writers’ Prize for Literature (Africa Region) in 2009. Street Blues: The Experiences of a Reluctant Policeman was shortlisted for the Sunday Times Alan Paton Award the same year. Andrew’s books are published in Germany, the Netherlands and the USA. He has three children and lives in Cape Town.
In celebration of Sindiwe Magona’s 80th birthday, a collection of tributes from friends, family and colleagues on how this literary icon has touched their lives.
Her strong message to all of us is that no matter what life throws at us, it is possible to push through adversity and do what we never imagined we could. Only if that adversity – those rocks – does not make us give up on how we think of ourselves. She mined for her gold and found it. And it is not her gold only while others claw at stones. It is a gold that she offers for all of us to grow rich on. — Zubeida Jaffer
CONTRIBUTORS:
Finuala Dowling • Thokozile Sayedwa • Mamphela Ramphele • Penelope Magona-Dano • Lindy Wilson • Bergliot Dallas • Jean Williams • Marie Philip • Lyndall Gordon • Mamatebele Hoohlo • Rajendra Chetty • Renée Schatteman • Rosemary Gray • Tanya Barben • Kamoji Wachira • Tessa Dowling • Nigel Vermaas • Sarah Davies Cordova with Hélène M. Coutrot and Sophie Barthélémy • Carol Lindsay Shore • Sara CF de Gouveia • Motlatsi Motsoasele • Maralin Vanrenen • Dianne Shober • Elinor Sisulu • Helen Moffett • Margaret Clough • Zubeida Jaffer • Janice O’Brien • Nancy Richards • Theo Krynauw • Unathi Kapa • Antjie Krog
All profits from the publication of Sindiwe’s Gift will be donated to Sparklekids.
Dr Sindiwe Magona turns 80 today and on behalf of all of us in the literary community whose lives she has touched with her inspiration, wonder and wisdom, I would like to simply say: HAPPY BIRTHDAY and THANK YOU!
Together with compilers – Sindiwe’s daughter, Thokozile Sayedwa, and Nancy Richards – as well as all the amazing contributors, Karavan Press celebrates Sindiwe’s 80th with the publication of Sindiwe’s Gift, a collection of personal essays by only a few of the people whose journeys have been enriched by Sindiwe’s presence in their lives.
Yesterday, family, friends and Sindiwe’s Gift contributors gathered at Artscape to honour Dr Sindiwe Magona at 80 and to celebrate her own collection of essays, I Write the Yawning Void (Wits UP, 2023), as well as Sindiwe’s Gift as part of the Woman Zone / Artscape Women’s Humanity FestivalMILESTONES: Celebrating, Supporting and EmpoweringWomen of Yesterday, Today and Tomorrow.
The first copy of Sindiwe’s Gift was presented to Sindiwe by Thoko, who also praised her mother and thanked her for being her best friend. The all-woman marimba band Women Unite welcomed everyone with the warmth of their sound, happy birthday was sung, dancing occurred spontaneously, contributors said a few words, Nancy interviewed Sindiwe, the birthday cake was delicious, there was a lot of laughter and hugging, and tears of joy were shed.
If we could have bottled the energy of the occasion, it would have powered the country for the next decade. And if she were put in charge of things, Sindiwe would need only a tenth of the time to sort us all out. Her intellect, talent, compassion and generosity have no equals. It is impossible to put into words what a gift she and her work have been to all of us in South Africa, and way beyond.
“Wake up to yourself!” Sindiwe said.
Thank you, Sindiwe!
Gratitude to Thoko, Nancy, Woman Zone, Artscape and all who celebrated with us. Danielle Clough, thank you for allowing us to use your portrait for the cover, and Monique Cleghorn, for the beautiful design of the book! And thank you to all the Sindiwe’s Gift contributors:
Two of our contributors, Bergliot Dallas and Rosemary Gray, celebrate their birthdays with Sindiwe today. Happy Birthday to you!
All profits from the publication of Sindiwe’s Gift will be donated to Sparklekids, an organisation close to Sindiwe’s heart.
Kalk Bay author Dawn Garisch launched a collection of short stories, What Remains, at the Book Lounge on Thursday August 17. She was in conversation with Mignonne Breier, winner of the 2022 Sunday Times Literary Award for non-fiction.
Published by Karavan Press, the book of 20 stories has taken Dr Garisch, who is also a medical doctor, poet, playwright, film producer and teacher, 20 years to complete …
I listen to Johannesburg move around me, and I wonder how she is still able to act like nothing is wrong. When that is all I can see. Why she is not angry. I’m tired of being angry. …
I have started to walk everywhere. I tell myself it is because I want to research my next novel. I’ve had an idea, and it involves walking the streets of the city. It’s got a big concept, but I want it to be written with a low-key, tangible realism. There are angels and monsters. I want the reader to experience Johannesburg from the ground. So, I walk to the shops whenever we need anything. I find myself making excuses to go, despite the winter darkness approaching earlier and earlier. Even better. But it’s not just the unwritten novel that pulls me onto the road. It’s not that I need to be healthier now. It’s not that I want to get my 10 000 steps each day. The real reason is more complicated. I want to hold onto the present. Be present. Slow down time. Slow it down so much that I might somehow return to a time before now, when I used to walk more.
I listen to the city move around me. The ever-present highway hums in the distance, in time to my step and the passing cars and the other walkers. To feel a part of this great madness, I realise, makes me feel smaller. And that’s what I need right now. As I pass under the shadows of the bare trees in the pale winter sun, I am reminded of what one of the main characters from my novel says: “I don’t know what to believe anymore … it all feels so heavy on my mind. The weight.” Although I was able to explain this away with convoluted literary ideas when asked about it at book launches, for the first time I understand it for myself. The weight of thoughts can have a bearing on one’s spirit …
WE ARE DELIGHTED TO ANNOUNCE THAT KARAVAN PRESS IS THE SOUTH AFRICAN DISTRIBUTION PARTNER FOR GLASS TOWER BY SARAH ISAACS, THE INAUGURAL WINNER OF THE ISLAND PRIZE.
ABOUT THE BOOK
Leilah meets Frankie, and the two misfits become the closest of friends at their new school – until secrets, betrayal, and sexuality drive them apart …
It’s 1997, three years after the official end of Apartheid in South Africa. Two girls from very different backgrounds, Leilah, who is mixed race, and Frankie, who is white, are drawn together when they start at a new school, one that remains racially divided despite the country’s new laws. Their friendship deepens and intensifies before suddenly falling apart when each tells the other a secret. The girls must grapple with young womanhood alone, leaving Leila with only her troubled family to fall back on.
Glass Tower is a powerful, beautiful story of two young people on a journey of sexual hurt and personal discovery which asks questions of who we are and why we love, set against a new and confusing social order.
Winner of the 2022 Island Prize for debut African novels
‘Sarah Isaacs writes with sensitivity and care about the pains of adolescence in a changing society coming to terms with the dark history of South Africa.’ — Karen Jennings, An Island, longlisted for the Booker Prize 2021
ABOUT THE AUTHOR
SARAH ISAACS is a writer and visual storyteller based in Cape Town, South Africa. Born in 1985 to a Coloured father and white mother, she occupied an undefinable place within the Apartheid system of racial division. Not belonging to one group or another has informed much of her life experience and continues to be one of the key drivers in her work. After graduating from a psychology degree at the University of Cape Town (UCT) in 2009, Sarah shifted her professional focus to portrait and documentary photography, creating safe spaces for South African women to share their everyday struggles. Boosted by the voices of those women she photographed, she was able to explore her own relationship to issues of identity, gender-based violence and the impact of infertility on a woman’s sense of self. In 2018, she invited victims of GBV to be photographed as a way of sharing their stories of sexual trauma and turned the lessons she learnt from that portrait series into a 2019 TEDx talk, which centred on survivor shame and its implications for the expression of vulnerability. Sarah completed Glass Tower in 2021. It went on to win The Island Prize for debut fiction from Africa in 2022.
Publisher: Holland House Books, UK
Publication date: 24 August 2023
ISBN: 978-1-7391047-4-0
HAPPY PUBLICATION DAY, SARAH!
If you are a bookseller, please contact BOOKSITE to order copies of Glass Tower. If you are a reader, please ask your local bookshop to order the book for you via Booksite.
I consider all the words I have access to and finally write ‘help’ and slip it under the door of the empty room, along with a blank page and a pen.
EVERYONE DIES
A SERIES
by FRANKIE MURREY
Late at night, I count down from the scar in my memory to where I am now, to where I will one day be. Four months today. In another six years and eight months, no part of me will have touched any part of you. And then I think, I will be fully recovered. Re-covered. Sometimes while I count, I cry. Very briefly. It means nothing.
Publication date: 8 September 2023
ISBN: 978-1-7764581-3-4
FRANKIE MURREY worked in the book retail sector for many years before becoming the coordinator of Open Book Festival, which takes place every year in early September in Cape Town. In 2015, her work was awarded the Chevalier de l’Ordre des Arts et des Lettres. She resigned from Open Book Festival at the end of 2019 and started her own company, FM Project Management. Through this company, she has since been curating or managing creative events and projects that align with her interests. She also returned to Open Book in 2022, a space she’d missed intensely. Everyone Dies is her authorial debut.