Melissa A. Volker reports from Comic Con Cape Town 2024

My books on display at the ROSA stand.

Comic Con was first held in 1970 in San Diego, California as an exhibition of comic books. Today, Comic Con is international event, celebrating popular culture, film, comics, fantasy novels, anime, art and storytelling in its multiple forms. Comic Con Cape Town and Comic Con Africa (Johannesburg) are now annual events.

With one of the Jawas from the deserts of Tatooine – Star Wars.

Comic Con Cape Town also hosts the Animation Festival, where visual storytellers are upskilled by international and local animators, story board artists, producers, screenwriters and filmmakers.

Comic Con brings gamers, writers, actors, dancers, publishers, illustrators and artists together to gather, learn and share. Merchandisers, artists, animation schools and book sellers display and sell creative wares. I saw a stand selling the most accurate replicas of light sabers I’ve ever seen.

This year, I was invited to participate at Comic Con Cape Town as an exhibitor with the Romance Writers Organisation of South Africa (ROSA). As a member of ROSA, I assisted other members who were hosting the ROSA stand next to the main stage.  Writers, readers, fans and publishers stopped to buy books or discuss reading and the craft of writing. I displayed my books, Shadow Flicker, A Fractured Land and The Pool Guy. I am so proud of the beautiful physical books that my publisher, Karavan Press, created for my stories. The Cape Town City Library stand was nearby, on the other side of Artist’s Alley, so I and the other ROSA writers enjoyed meeting them and discussing strategies to raise up readers and writers together through libraries and author events. The ROSA stand was coincidentally at the gathering point for the daily Cosplay competition. (Cosplay is costume play – a form of performance art where fans dress up as their favourite popular culture character.) We had a close-up view of Vikings, superheroes, a Fremen (from Dune) in a Stillsuit, and children’s cartoons characters. Captain America had to sit down to take a break after a lengthy round of selfies with fans. A writer came to the aid of one cosplayer who found the confines of a heavy costume caused overheating. Perhaps there’s inspiration for a fictional meet cute there?

The resting Captain America.

My favourite were the many Mandolorians. I admire the storytelling techniques of the streaming series. If you’ve not yet watched The Mandolorian, it’s a Sci Fi tale set in space, with the atmosphere and some tropes of an old Western. Of the two main characters, one speaks, but the audience (almost) never sees his face. The other character never speaks but communicates with facial expressions. It’s delightful. And clever.

Comic Con Cape Town is bright and busy, loud and energetic, a diverse mix of creative people, from geeks to gamers, who love stories and characters. It’s a crowded, frenetic celebration of storytelling in its multiple formats. 

I am Weird Barbie from the movie. My daughters and niece are K Pop Band G-Idle.

Karavan Press authors talk about love and relationships at the UJW’s Stonehaven

Last week, Joy Watson, Cathy Park Kelly and Melissa A. Volker spoke to Karina M. Szczurek about love and relationships in their lives and writing at the beautiful Stonehaven, the home of the Union of Jewish Women (UJW). Thank you to the UJW for hosting, thank you to the authors for their insights and laughter, and to everyone who attended with such generosity of spirit. A beautiful evening!

Thank you, Bernie Shelly, for being there and for sharing a few photographs with us!

‘Reading Romance: Melissa Volker’s twisty love stories with an environmental agenda’ by Joy Watson

Daily Maverick

… Volker’s tales are carefully spun, a weave of gossamer thread of the finest ilk. Her books take a while to write and she has an uncanny ability to transpose the reader into time and place. 

In A Fractured Land, we are able to visualise the arid landscape, the sweat of hot nights is tangible, and we can smell the lingering scent of wisteria on dry, balmy days. Volker is adept at breathing life into the South African landscape, making it jump off the page to embed itself in the reader’s mind. 

“Quite a lot of work goes into my books,” says Volker. “I have been working on my current novel for about three years. I’m quite fussy. I try hard to layer the characters, to make the dialogue work. I feel like each novel is taking longer – maybe I’ve become a harsher critic of my own work, or maybe I am learning the craft of writing more.” 

The time that Volker invests in her writing is evident in her other books, Shadow Flicker (released in 2019) and The Pool Guy, a novella published in 2021. Attention to detail sets her work aside from other books in the genre, where some writers have managed to push out many books in a short time. 

Volker’s writing stands out in its meticulous effort to cobble together a love story that is complex, exquisitely told and of a high calibre. 

What also sets Volker apart is that both A Fractured Land and Shadow Flicker skillfully incorporate an attempt to pluck at the strings of environmental consciousness. 

“I write about the environment because it’s an issue of concern to me. When writing the books, I thought about some of the social circles that I am in where these issues don’t even touch ground. I realised that one way of getting people to think about it is through fiction. 

“Sometimes people are just so fatigued about bad news and watching it on TV. So I wanted to package it in a way that was palatable… in a way that raises awareness.”  

Daily Maverick

The literary friendships between us

In 2019, when the first two Karavan Press titles – Melissa A. Volker’s A Fractured Land and Shadow Flicker – went to print, I was travelling in Turkey and Austria and asked Penny Haw to assist with checking the printer’s proofs that arrived while I was away. Melissa and Penny worked together to make sure that all was in order. For me, it was terrifying not to be able to oversea everything myself as I was completely new to this side of things as a publisher, but I also knew that our books were in excellent care.

This year, when Penny’s novels, Nicko and The Wilderness Between Us, were looking for a distributor in South Africa, being a fan of her work, I did not hesitate to offer entering an agreement with her and Karavan Press’s distributor, Protea Distribution. In this way, the books and their amazing author belong to the Karavan Press family and I am delighted to be working with Penny.

And so it was wonderful to see that, when I could not attend Penny’s book signing at Exclusive Books Constantia (I was interviewing Nancy Richards at her Greyton launch of The Skipper’s Daughter), Melissa was there.

This is what I meant when I wrote on our submissions page: “We want to establish strong bonds between our authors and readers, so please join the community of writers, creatives and readers that is Karavan Press” – the literary friendships between us.

Thank you to EVERYONE who makes this possible!

A FRACTURED LAND by MELISSA A. VOLKER longlisted for the Page Turner Award – Book Award 2021!

Fantastic news! Melissa A. Volker’s A Fractured Land has been longlisted for the Page Turner Award – Book Award 2021.

Melissa A. Volker is a reader, writer, beauty therapist and water woman. She blogs about surfing and stand up paddle boarding; writes eco-fiction, romance and short stories. She lives in Cape Town with her husband, two daughters and a cat. Her first eco-romantic thriller, A Fractured Land, was published in the US in 2018 and was republished along with her second novel, Shadow Flicker, by Karavan Press in South Africa in 2019. Shadow Flicker won the Romance Writers Organisation of South Africa’s Strelitzia prize for the most promising manuscript in 2017. Melissa’s short story, ‘Spa Ritual’, was published in the South African anthology: Hair – Weaving and Unpicking Stories of Identity. Her new novelette, The Pool Guy, is coming soon.

Congratulations, Melissa!

Happy Mother’s Day to all the mothers, real and fictional

My mother’s garments 
never seemed to grow old.
Slack suits and twin sets
from the seventies,
woven from some synthetic
substance that did not wear
or tear, unlike the natural fibre
of her skin. My aged mother’s
delicate covering bled
every time she stumbled.
Worn out; worn to shreds.

— "Going home", Disturbance, Dawn Garisch


It has just gone six a.m. I walk my son down the road to the corner where we wait for his lift. The sun is rising, the light streaking the horizon gold. I comment on the morning buzz, the company we keep, power-walkers, the dog walkers, workers and school kids heading for the train. ‘The day carries on.’
Without you, the day must carry on.
Al says, ‘Of course, but let me remind you that you’re wearing pyjamas.’

— Death and the After Parties, Joanne Hichens


They fled with nothing, never stopping. Not even when his mother tripped, his sister, tied to her back, knocking her head so hard that a bump rose immediately. She had been crying, now she screamed. Yet still they ran, amid their own blood and spittle, as the black cloud of the burning valley hunted them, chasing them forward, forward, towards the blue sky.

— An Island, Karen Jennings


Now Shirley, you know, became a mother quite young – sixteen or something like that. She ran away from home with newborn Jason; his naeltjie at his belly hadn’t even fallen off yet. Came to Cape Town where she thought no one would find her. The Northern Cape was far.

— "Homeful", Let It Fall Where It Will, Lester Walbrugh


Lexi shrugged off her coat. She heard the rustle of beads as her mother, Sandra, came through the hippie curtain from the kitchen at the end of the long hallway. Like the town was bisected by a highway, so was their house by the passage.
‘I thought you would be asleep by now.’ Lexi feigned surprise.
‘I waited up. You’re my responsibility now.’ Her mother was in a kaftan, her hair long and loose. She looked like she’d escaped from the Mamas and the Papas.
‘Yay.’ The joys of being dumped and fleeced by her husband never ceased.

— A Fractured Land, Melissa A. Volker


I still remember my mother’s words when we got in the car to go to mass. ‘It’s Christmas, Mary, not a funeral.’ But I’ve always worn black. I would have said she was tempting providence, if that wasn’t exactly the sort of thing she would say. I should have, though. When we got home, a bunch of armed response cars were blocking the gates to the complex. The police were there. Men in bulletproof vests. Guns.

— A Hibiscus Coast, Nick Mulgrew


Not a word was exchanged between us as my mother and I made our way home. She must have seen how disappointed I was for, as soon as we walked into the house, she turned to me, demanding – ‘Where is the form?’
Puzzled, I looked at her. What use was that form now? What would she do with it? Only my father could sign it; and he had flatly refused, hadn’t he?
‘Give me the form, Thembi.’
‘Why, Mama?’
‘Letha, bo!’
My mother forged Baba’s signature.
I applied for a passport, astounded by my mother’s actions. She had shown me a side of her I didn’t suspect existed.

— Theatre Road, Sindiwe Magona


The lagoon has
forgotten us
like a son
sometimes
forgets his father

but never his mother

— "Port is red and starboard green", For Everything That Is Pointless and Perfect, Stephen Symons


But tell me this: where is his irrepressible, eternal soul? Because that is what interests me more. Where is his spirit, free of the gritty, grey residue of his body, which I have felt with my own hands? Because I, with the five senses of a woman, and undeniable sixth one 16 of a mother, cannot fathom the dimension within which my child now exists.

— "Lost", Earth to Mom, Sue Brown

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