What better way to approach the end of the year in which Karavan Press published several short story collections than with celebrating three of them on one evening at one of the best bookshops in the country (and the world): Liberty Books. Please join Christy Weyer (and Cleo) as she interviews Dawn Garisch, Diane Awerbuck and Frankie Murrey about their exquisite stories on Tuesday, 5 December, 6 to 8PM.
We look forward to seeing you there!
One of South Africa’s finest short story writers, Diane Awerbuck, is launching her collection, Inside your body there are flowers, at The Book Lounge next week. She will be in conversation with Joanne Hichens, writer, editor and founder of Short.Sharp.Stories.
Short story enthusiast, please join us!
In their latest newsletter, The Book Lounge, wrote the following about Karavan Press:
Karavan Press is a small publishing house owned and run by Karina Szczurek, seriously punching above its weight. We are so grateful to Karina for publishing so many wonderful books that we thought we should shine a light on some of the books she is responsible for that will be featured at Open Book Festival:
Everyone Dies by Frankie Murrey ~ An exquisite debut collection of stories – I will be cajoling Frankie on to the stage to talk about Everyone Dies. – Mervyn
A Crowded Lonely Walk by Sipho Banda ~ In this riveting poetry collection, Sipho Banda delves into the daily happenings of the ubiquitous but anonymous working class, and restores dignity to those whose lived experiences so often go overlooked. – Belinda
Glass Tower by Sarah Isaacs ~ Glass Tower is the winner of the inaugural Island Prize for debut fiction from Africa.
Inside your body there are flowers by Diane Awerbuck ~ an incredibly versatile writer who returns to the genre for which she is best known – the short story – in this new collection which is nothing short of superb.
The Bitterness of Olives is set in Gaza and Israel and is Andrew’s finest novel. Empathetic, thought provoking, beautifully written with the pace of a thriller. – Mervyn
Striving for Social Equity edited by Joy Watson and Ogochuku Nzewi ~ an invaluable gathering of voices touching on the very real challenges facing South Africans today.
What Remains by Dawn Garisch ~ new collection of stories from one of our best-loved writers that deals with relationships, ageing and so much more.
Karina will be participating in a discussion about the future of publishing.
The Book Lounge
We are immensely grateful for the encouragement and support! And this is how we will be “punching” at Open Book Festival 2023:
Watch out for Karavan Press authors and Friends (we are lucky distribution partners for Glass Tower by Sarah Isaacs and Cat Therapy by Gail Gilbride):
Book your tickets here:
What do I know? I know white people. I know loss. I know arrogance and disaster, natural and unnatural. I know the mythical sometimes crosses in and descends on us in our extremity like heat mist, like haze. Let me write my story about the man Malan, who is contracted to build a dam in Zimbabwe. Let me write about the collapse of our projects, of our expectations and desires, and about the things that are given to us in their place. The gifts of suffering. The gifts of apocalypse. Let me write about his little boy who died before him, about mermaids and sour worms and the great snake, Nehushtan, about all the creatures who crowd around us unseen on the earth. All you red-faced men of my youth, with your moustaches and your beer boeps and your vulnerable eyes: here is your story.
“Mesmerising, at times shocking, and teeming with honesty, wit, razor-sharp prose and gasp-inducing insights, it’s no exaggeration to say that this is the finest and bravest collection of short stories I’ve ever read.” – Sarah Lotz
Publication date: 8 September 2023
ISBN: 9-781776-458141
DIANE AWERBUCK is a prizewinning writer, reviewer, editor and teacher. She writes femme/goth thrillers (Home Remedies); memoirs (Gardening at Night); pandemic cowboy thrillers (South, as Frank Owen; North, as Frank Owen); doctorates on trauma (The Spirit and the Letter); holy-wholly poetry (As above, so below); and short story collections (Cabin Fever; Inside your body there are flowers). She hopes you are sitting comfortably.
You’ve been here before. Confinement in close quarters after a disaster not of your making sounds pretty familiar, but Nick Mulgrew’s claustrophobic new novel, Tunnel, isn’t obviously about the pandemic.
It deals instead with the fallout after some unnamed but probably nuclear events that collapse the Huguenot Tunnel and render the surrounds uninhabitable. This terrifying prospect must surely have occurred to anyone travelling in carbon-monoxided convoy through the intestines of the Du Toitskloof mountains. How does this concrete hold back the weight of the mountain? What if it all falls in? Who would come? And how long would that take? And also, crucially for this novel, would it be worth surviving?
Set in a South Africa that’s the same but different, Tunnel plays with the idea of inversion. There’s a South-West and a Caprivi, and there are workers’ compounds and bush cops and baboons — but not as we know them. The day the action takes place is March Day, and all travellers need permits. Then the world goes dark.
After the characters’ initial panic, they find their space literally shrunk and the tunnel fast becomes “the inside-outside”. Their hell descent must continue before they can eventually find their way to fresh air and the elegiac upswing of the ending …
Continue reading: Sunday Times
But A Hibiscus Coast is not all satire. Mulgrew is a sensitive man, and he invokes and then banishes the wishes, regrets, dreams and frustrations that plague us. How difficult it is to write powerfully and meaningfully about feelings; our personal revelations are mostly boring to others. But Mulgrew’s technique is persuasive, at once chattily vernacular and then so lyrical he could name new palettes for Plascon.
This self-interrupting search is linked to his favourite theme, and one which he explores to its fullest in A Hibiscus Coast: the human responsibility to know ourselves in order to know others, and our obligation to tell the truth. We must face our old selves or be consigned to further continental drift.
Sunday Times
THE KISS OF DEATH
The aptly titled Death and the After Parties is Joanne Hichens’s long-awaited memoir following four sudden horrifying deaths in her family. Blisteringly accurate, humorous and lyrical, the book follows her investigations into how we mourn, and how she nearly lost herself in that process. Hichens initially began a scholarly dissertation on grieving soon after her mother’s death, titled “Loss and the City”, which examined Cape Town’s tortured past and present – the losses of land and identity. Then her husband died, and her theory was proven in hard and personal practice.
The passing of seven years since his death has given Hichens a clarity of thought even in the ongoing chaos and fever of grief. The memoir is divided into five parts, a kind of guide to grieving.
Continue reading: Sunday Times
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