AN ISLAND by Karen Jennings to be launched at EB Cavendish

After the incredible journey that Karen Jennings and An Island have travelled since the publication of the highly acclaimed novel, it is simply wonderful to be able to finally launch the book officially at a bookshop in the company of the author, who is now living in South Africa again. Please join us on the 24th of March at Exclusive Books for this special occasion!

Karen will be in conversation with Karina Szczurek. We look forward to seeing you there and celebrating together!

Women power at Liberty Books

When Christy Weyer of Liberty Books mentioned the thematic connections she spotted between Cathy Park Kelly’s memoir, Boiling a Frog Slowly, and Penny Haw’s novel, The Wilderness Between Us, I was thrilled about the possibility of her exploring the themes in a conversation with the two authors. Last night, Christy made it happen, and it was magic! The three inspiring women spoke about relationships, abuse, survival and empowerment, and the people who gathered in the audience were enthralled.

Thank you, Christy, Cathy and Penny – and Liberty Books! And thank you to all who attended, especially those who shared their stories of abuse and survival.

We also celebrated the reprint of Cathy’s memoir, Boiling a Frog Slowly – congratulations, Cathy!

Boiling a Frog Slowly launched at the Alma Café

There are certain books one wishes would never have to be written, but because our reality is what it is, we can only be grateful to authors like Cathy Park Kelly for facing the darkest corners of our existence and exposing them to the light of understanding and healing. Cathy’s wrenchingly honest and powerful memoir about the abuse she suffered at the hands of a partner, Boiling a Frog Slowly, was launched at The Alma Café last night. The launch was postponed in December because of the fourth wave, but it could finally happen. Family, friends, authors, readers and the resident cat gather at the wonderful venue and celebrated Cathy and her empowering book with Alma’s legendary Cornish pasties and lemon meringue pies. Cathy was in conversation with local writer and editor, Máire Fisher. It was a beautiful evening and once again I applaud Cathy’s courage in bringing this book into the world.

Thank you to everyone who attended, and mountains of gratitude to The Folks at the café for making their space available for literary events and always making us feel so warmly welcomed.

Melissa Sussens to publish her debut collection of poetry with Karavan Press

It gives me great pleasure to announce that Melissa Sussens will be publishing her superbly crafted debut poetry collection, Slaughterhouse, with Karavan Press later this year. I have been reading Melissa’s poetry across literary magazines and the web for about two years now and it has always moved and inspired me. It will be a joy to share it with readers in book form. Poetry lovers are in for a true literary treat!

Melissa Sussens is a queer veterinarian and poet. Her work has appeared in Stanzas Poetry Magazine, SFWP Quarterly and Isele Magazine, among many others. She has performed at the Poetry In McGregor festival, Off The Wall and The Red Wheelbarrow where she also hosts poetry readings. Melissa placed 2nd in the New Contrast National Poetry Prize and was amongst the winners of the ClemenGold Writing Competition in 2020. She was selected for the Poetry for Human Rights anthology, Between the Silence, in 2021 and has been nominated for Best of the Net. By day she works as a small animal veterinarian and whenever she’s not doctoring animals, she can be found immersed in writing, editing, or reading poems. Melissa lives in Cape Town with her fiancée and their two dogs. Find her on Instagram and Twitter @melissasussens.

Joanne Hichens reviews BOILING A FROG SLOWLY by Cathy Park Kelly for the Sunday Times

‘Boiling a Frog Slowly’ is an intensely personal memoir about escaping abuse

Cathy Park Kelly’s compelling and painstakingly honest book describes the insidiousness of abuse and how hard it is to leave a toxic and violent relationship

Boiling a Frog Slowly is a courageous, emotionally sincere exposé of a romantic relationship that slides into increasingly disdainful and abusive territory, when love indeed goes wrong. It’s about how terribly difficult it is, as a woman, to extricate oneself from a toxic, manipulative relationship in which one is treated with violence and contempt.

Right from the opening scene, which describes violence so extreme that I caught my breath, I was hooked and wanted to know how this could have happened to a woman I know — albeit on the periphery — as professional, caring and compassionate. What led to the point where Cathy was held down by her partner, as he scrawled the words slut, whore and c**t across her breasts with a red Koki pen?

Continue reading: Sunday Times

Joanne Hichens interviews Cathy Park Kelly about her memoir, Boiling a Frog Slowly

Boiling a frog slowly is a courageous exposé of a romantic relationship that slides into increasingly disdainful and abusive territory, when love indeed goes wrong. In this interview, Joanne Hichens chats with Cathy Park Kelly about her experiences and the writing of her memoir.

Boiling a frog slowly, a memoir of emotional and physical abuse at the hands of an early lover and partner, is searing in its honesty. Your story shows how terribly difficult it can be for a woman to extricate herself from a relationship in which she is treated with violence and contempt. What prompted you to write your account of abuse at the hands of your male partner?

It’s what I do – I use my writing to explore my life and pick out threads that shine with truth for me. What I have learned, and what I am coming to trust, as I write more and share my writing more, is that these threads are universal. They are present in many human stories. When it comes to the story of the abusive relationship, I wanted to do two things: make sense of this experience for my own sake, and also make something out of this chapter in my life that I could share with others.

On the first, personal level, I used my writing to make sense of this chapter and to crack through the disbelief I was left with, to dig beneath the feeling of “What the f*ck?” to get at the truth of what it meant. I was weirdly fascinated, as well as confounded, by what I had gone through, so I used my writing to create some sense of order and understanding.

But, on the more universal level, I was driven to write this for the unknown reader out there. I felt that I had learned much and gained many insights, and this hard-earned knowledge burned inside me. It felt alive, like it wanted to be given a voice …

LitNet

Interview with Cathy Park Kelly, author of Boiling a frog slowly

‘Reading Romance: Melissa Volker’s twisty love stories with an environmental agenda’ by Joy Watson

Daily Maverick

… Volker’s tales are carefully spun, a weave of gossamer thread of the finest ilk. Her books take a while to write and she has an uncanny ability to transpose the reader into time and place. 

In A Fractured Land, we are able to visualise the arid landscape, the sweat of hot nights is tangible, and we can smell the lingering scent of wisteria on dry, balmy days. Volker is adept at breathing life into the South African landscape, making it jump off the page to embed itself in the reader’s mind. 

“Quite a lot of work goes into my books,” says Volker. “I have been working on my current novel for about three years. I’m quite fussy. I try hard to layer the characters, to make the dialogue work. I feel like each novel is taking longer – maybe I’ve become a harsher critic of my own work, or maybe I am learning the craft of writing more.” 

The time that Volker invests in her writing is evident in her other books, Shadow Flicker (released in 2019) and The Pool Guy, a novella published in 2021. Attention to detail sets her work aside from other books in the genre, where some writers have managed to push out many books in a short time. 

Volker’s writing stands out in its meticulous effort to cobble together a love story that is complex, exquisitely told and of a high calibre. 

What also sets Volker apart is that both A Fractured Land and Shadow Flicker skillfully incorporate an attempt to pluck at the strings of environmental consciousness. 

“I write about the environment because it’s an issue of concern to me. When writing the books, I thought about some of the social circles that I am in where these issues don’t even touch ground. I realised that one way of getting people to think about it is through fiction. 

“Sometimes people are just so fatigued about bad news and watching it on TV. So I wanted to package it in a way that was palatable… in a way that raises awareness.”  

Daily Maverick

Ambre Nicolson Hsu reviews BOILING A FROG SLOWLY by Cathy Park Kelly for Woman Zone Book Club

“If someone in your life is not sane, then expecting the best from them or working on yourself or breathing into the pain is a long road to misery. Sometimes you just need to walk away.”

These lines, drawn from the end of Cathy Park Kelly’s Boiling a Frog Slowly (Karavan, 2021), explain the central premise and plot of this compelling memoir. Don’t be fooled by their simplicity though, Park Kelly’s clarity is hard won.

In fact, what makes this book so riveting is the way in which Park Kelly describes just how complex and subtle the descent into an abusive relationship can be. What begins as an exhilarating new love unravels slowly into the terror and claustrophobia of mental and physical abuse.

While this book is about a difficult subject, it is not hard to read. Many memoirs of abusive relationships go heavy on the unremitting horror of the situation with the sad effect of numbing a reader. Instead, Park Kelly tells her story with warmth and wry humour. This has the effect of making her unflinching descriptions of the abuse and terror she experienced even more harrowing when you get to them.

What I like best about this book is the author’s quiet commitment to telling the truth, even when it is complicated, unpretty or ordinary. This is particularly apparent in her telling of how she extricated herself from the relationship. Whereas many such memoirs end with a flourish (the blinding once-off revelation, the dramatic flight, the packed suitcase), Park Kelly details instead the slow, hopeful, painful and painstaking journey towards recovering her agency and the confidence to leave the relationship behind. This rigour and integrity acts as a wonderful astringent against the often cloying “happy endings” that such books sometimes claim. Instead of ending with the first glimmer hope, Park Kelly looks beyond the easy ever after to paint a much more compelling portrait of a woman who, in the end, rescues herself.