Nancy Richards reviews A HIBISCUS COAST by Nick Mulgrew

In my opinion, Nick Mulgrew is the most extraordinary young man of words. Quick bio run down: In 2014, in his early twenties, he founded uHlanga, a magazine of poetry from KwaZulu-Natal – the now award-winning uHlanga Press publishes poets more widely. Personally, he’s had the support of the German Sylt Foundation, the Swedish Literature Exchange, amongst others, and was a Mandela-Rhodes scholar. His work, mainly short fiction and features, has won lots of awards and accolades, including a Thomas Pringle and Nadine Gordimer Award. He’s written four books, was born in South Africa in 1990, raised both in Durban and Orewa, New Zealand, is currently doing his PhD at Dundee University and is based in Edinburgh. This is not to over-brag on his behalf, just to expand on his background which again, in my opinion, throws light on why this, his fourth book and first novel is also completely extraordinary. And absolutely original.

The story starts in South Africa – the opening line, ‘The neighbours were murdered at Christmas.’ lays the cards on the table, and then, through the person of 19-year-old Mary, makes its way across oceans to New Zealand. It’s no coincidence that there is a Hibiscus Coast in both countries.

On the imprint page, it says ‘This book is a work of fiction. Any descriptions…of actual persons, places, events or organisations are fictitious.’ I’m sure this is quite true, but the persons, places, events and organisations here are so meticulously described as to ring peels of bells – both in what a reader may have experienced or imagined. Whilst I’ve never been to New Zealand, the images, and dialogues especially, appear to have been born from close and processed observation. And research. Mulgrew acknowledges, together with the South Coast Herald archives, the National Library of New Zealand, the Auckland City Library, Takupuna Library and UCT Library as some of his sources. Interestingly, something of a graphic artist, young Mary spends a bit of time in libraries too.  He was also helped tremendously by ‘komiti members of Te Herenga Waka of Orewa’ – so those who know little of the indigenous culture of NZ are in for some lessons. Now I know what a ‘hangi’ is, and that it needs to get laid. In fact I think I learnt quite a bit about South African culture too – for better and worse.

But aside from the extraordinary insight that’s gone into this book, as well as lived experience and research, what I found to be so absolutely original is its construction. The text is ‘illustrated’ with what you might call ‘supporting documentation’ – affidavits, newsletters, newspaper cuttings, posters, flyers, even hand-written notes. It’s been conceived and laid out with such care, that it commands respect – as well as a place in the timeline of both countries. I’m sorry not to have given any details of the plot itself, but oty to discover. Finally, they say you can’t tell a book by its cover, but what you can tell from this one, is that it really IS absolutely original.

First published on the GBAS FB page.

Nancy Richards reviews CONJECTURES by James Leatt

If ever there were a time to be asking the big questions, it’s probably now. I mean – commercial Christmas, COVID, universal chaos, climate change crisis – you know. But let’s narrow it down and start at the top – Is there a God? And / or is it possible to be good without God, the ‘standover man’? Endless list really. But these and so very many more are the questions with which James Leatt has been living – for a very long time. In his 80s now, Leatt set out on the religious path as lay pastor for the Order of Christian Service aged just twenty. He recalls spending his twenty-first ‘preaching on a hot February day in a tent mission at a new housing estate in Retreat.’ His calling to the ministry was loud. But not impervious to question. ‘Doubt,’ he quotes a proverb, ‘is the beginning, not the end of wisdom.’

In this book, he charts for the reader his path over the decades of religion, faith, doubt and questions, all the while spilling out some contagiously quotable lines and thoughts from a lifetime of reading and thinking. He was captivated for instance by Durkheim’s view that ‘religion provides the glue that holds societies together.’ He quotes a Dutch Reformed Minister who said a mining disaster was ‘an act of a wrathful God calling a sinful nation to repentance.’ He talks about ‘theodicy’ (the vindication of divine providence in view of the existence of evil) and of a ‘crisis of credibility in religion’ … and more.

Interestingly however, he has not been sitting Buddah-like under a tree mulling over all this enlightenment doing nothing, he has led an exhaustively busy life teaching Social Ethics at UCT’s Graduate School of Business, becoming Deputy VC and Vice Principal at the same institute, later becoming VC and Principal at the then University of Natal. He was a founder member of the Independent Mediation Service of SA and Deputy Chair of the Institute for Democracy in SA (IDASA) – amongst other roles. But I tell all this, not to knock you dead with his CV, but to indicate that the path he has trodden has also wound its way through some hectic, challenging and revealing times here in South Africa. That he has emerged as a mild-mannered, silver-headed man still questing and questioning when others of his era have taken up bowls, is inspirational. Especially thought-provoking are his chapters on ‘Looking east’ and ‘Living without gods’ – but it’s all interesting, and as I opened by saying, infinitely quotable. My favourite takeaway is the parable of dharma – which he writes, is like a raft that you build out of all the things that come your way. You use it to ford the river in front of you, then you leave it on the other side for someone else to use. Like a legacy. I’m sure James Leatt will leave many others, but this book is truly a nine-carat piece of legacy for thinking readers to use. 

First published on the GBAS FB page.

Nancy Richards reviews BOILING A FROG SLOWLY by Cathy Park Kelly for Woman Zone Cape Town

Someone once explained to me the frog in increasingly hot water concept – that he won’t notice till he literally boils to death. I remember being horrified that such an idea could have been put to the test – poor frog, for heaven’s sake.
More shocking though is the thought that such a concept could apply to a human being – but seems it can.  Despite an increasingly hot water relationship, Cathy Park Kelly, hung on in for eight tortuous years with a man she calls here Karl. Her book, a vivid recall of the undermining, violent and over-heated treatment she tolerated, just made me want to weep for her. And lash out at the perp …

Woman Zone Cape Town

The Karavan parked at EB Cavendish this week

We parked the Karavan at Exclusive Books Cavendish this week, launching four of our books there, and we had the most wonderful time of celebrating the writers we love and talking books.

Tuesday: The Wilderness Between Us by Penny Haw, who was in conversation with Gail Gilbride

Wednesday: FOR EVERYTHING THAT IS POINTLESS AND PERFECT by Stephen Symons and Beat Routes by Justin Fox – the two authors were in conversation with each other and read from their collections

Thursday: The Skipper’s Daughter by Nancy Richards, who was in conversation with Kim Cloete

Thank you!

Thank you to everyone who made this possible, especially Linda and the great booksellers at EB Cavendish! Thank you to our authors – you make me believe in a future of Karavan Press and the journeys we are still to travel! And last, but not least, thank you to all the readers who came to celebrate these wonderful authors and their books with us – your support makes us possible.

KARAVAN PRESS entries for the GBAS Book Cover Design Awards 2021

Celebrating the fabulous, multi-talented designers we work with:

Monique Cleghorn | Nick Mulgrew | Megan Ross | Stephen Symons

Not representing Karavan Press at the Awards this year, but hopefully next year again, is Megan Ross, who designed the stunning covers of Melissa A. Volker’s novels, A Fractured Land and Shadow Flicker (2019). Melissa’s third novel is on its way …

In the meantime, Megan’s SSDA Disruption cover features at the Awards in 2021:

GBAS Book Cover Design Awards