Nancy Richards reviews Tunnel by Nick Mulgrew

I have been in some unexpected, uncomfortable and unsettling situations in my book journeys. But never quite like the one that stretches out in Tunnel. The title itself conjures a certain inescapability with a darkness, at the end of which there is not always light. A tunnel is described as an ‘artificial passage – especially one built through a hill or under a building road or river’. It’s the artificial bit, that gets to me, it’s not natural and in this particular tunnel, it’s certainly not normal.

It starts out innocently enough with Andreas and Samuel sniping at each other in the familiar, but spikey the way that couples getting on each other’s nerves do. They’re in Samuel’s inherited Oldsmobile, a bad start, and headed for a much-needed weekend away – on a road that goes through a mountain, via, yup, a tunnel. If you’re from the Cape, you’ll recognize which one. But if you’re phobic about breaking down in a tunnel, better stop reading now. Because this is when the you-know-what hits the fan. Suddenly they’re not alone. Enter a khaki-clad woman just flown in from Harare, in a red rental. Turns out she’s a location scout, but the point is, she’s competent, not so the boys. And then there’s the robotic radio message. And just when you think you’ve got this, clearly this is no ordinary aborted road trip. ‘Ledi and the man’s eyes met as they listened. In the orange light of the tunnel, his eyes shone like amber, studded with inclusions, a glistening stillness at odds with his demeanor.’ Nor is it no ordinary piece of writing.

More characters enter the uncompromising tunnel and psychologies start to clash – it’s complicated, there’s a minibus full of previously screaming little girls, a diabetic driver and ‘they’, Mo, a bristly roadblock officer, with personal issues. There are ominous seismic noises off and the insistent Voice of South West.

Actually, all the entrapped have got issues, one way or another – and they’re all starting to snipe. I couldn’t possibly tell you what happens without giving you an escape route – but there’s a wreck, ants, the incisors of a grey-brown baby and a desiccating lack of liquid and food involved. Apocalyptic springs to mind. I can only suggest you take the book to bed with a large glass of water, a strong nerve and hopefully someone who will give you a reassuring hug. It’s just a story. I think.

First published on the Good Book Appreciation Society.

Book sale & reading: uHlanga Press

Dear Poetry Lovers,

Karavan Press would probably not exist if it wasn’t for Nick Mulgrew‘s pioneering and inspiring publishing at uHlanga Press, and so it is with great pleasure that we will be hosting a uHlanga Press reading and book sale at our Karavan Press home next week on Tuesday, 9 September 2025, between 16:30 and 19:30.

Wine and snacks will be served. Great poetry will be read and sold, and most importantly, Nick will be here to celebrate ten years of award-winning poetry publishing!

Hope you will all join us!

Literary love, Karina

Open Book Festival 2025: Karavan Press & Holland House Books

The first weekend of September is Open Book Festival time (5-7 September 2025), and we – Karavan Press, Holland House Books and our wonderful authors – are thrilled to be part of these inspiring, thought-provoking and soul-restoring conversations.

Friday, 5 September 2025

11:00-12:00

12:30-13:30

14:00-15:00

16:00-17:00

Saturday, 6 September 2025

10:00-11:00

14:00-15:00

16:00-17:30

18:00-19:00

Sunday, 7 September 2025

14:00-15:00

Karavan Press author Nick Mulgrew is also in town for the festival, but will be wearing his publisher’s hat for the occasion and participating in a celebration of ten years of uHlanga Press. Congratulations, uHlanga, Nick and all your amazing poets. Every uHlanga poetry collection is a celebration of beauty and our humanity. Thank you for ten years of outstanding publishing!

For the full programme see: Open Book Festival

Book tickets: Webtickets

Dayspring by C. J. Driver to be launched at Clarke’s Bookshop

Karavan Press and uHlanga invite you to the Cape Town launch of C. J. Driver‘s posthumous memoir Dayspring, edited and with a foreword by J. M. Coetzee. The book will be launched with a discussion between David Attwell and Maeder Osler.

Tuesday, 16 July 2024, at Clarke’s Bookshop, 199 Long Street, Cape Town. Free entry!

It has been such an honour and joy to work on this stunning memoir with J. M. Coetzee, Dorothy Driver and Nick Mulgrew, and I look forward so much to sharing the book with readers.

I want to thank J. M. Coetzee and the Driver Family for entrusting us with the manuscript. I did not know Jonty myself, but I read his work, and we corresponded occasionally about his New Contrast subscription when I was the business manager and one of the board members of the SALJ. He was always supportive and kind and lovely to engage with. Reading the manuscript he left behind when he passed away last year in May, I knew that I would not be able to do it justice as a publisher without the help and support of Jonty’s last poetry publisher, Nick Mulgrew of uHlanga Press. I cannot thank Nick enough for embarking on this co-publication with me. We have been working together in all kinds of capacities since 2015, but this is the first time that uHlanga Press and Karavan Press are co-publishing a book, and what a special one it is. Beautifully written, tenderly honest, insightful and simply extraordinary, Dayspring is a literary gem.

Read an excerpt here: Johannesburg Review of Books

Join us for the launch on the 16th!

The 2024 Sunday Times Literary Awards Fiction longlist

The 2024 Sunday Times Literary Awards longlists have been announced on Sunday, and the Fiction Prize longlist features four Karavan Press titles as well as one title we distribute locally:

Congratulations to Mike, Andrew, Sarah, Nick, Lethu and all other longlisted Authors!

FICTION PRIZE

This is the 21st year of the Sunday Times fiction prize. The criteria stipulate that the winning novel should be one of “rare imagination and style … a tale so compelling as to become an enduring landmark of contemporary fiction”.

JUDGES

Siphiwo Mahala – Chair

Mahala is an award-winning author, playwright and academic, with a PhD in English Literature. He is the author of the novel, When a Man Cries (2007), two short story collections, African Delights and Red Apple Dreams and Other Stories, and two critically acclaimed plays, The House of Truth and Bloke and His American Bantu. His latest book Can Themba: The Making and Breaking of the Intellectual Tsotsi (2022), won the Creative Non-Fiction Award at the SA Literary Awards. He is a Senior Lecturer at the University of Johannesburg, Senior Fellow at the Johannesburg Institute for Advanced Study and editor of Imbiza Journal for African Writing.

Michele Magwood

In her long career Magwood has worked in radio, magazines and television and for 20 years was the Books Editor of the Sunday Times. She is the winner of two Mondi awards and the SALA award for literary journalism. A sought-after interviewer at book festivals, she currently works as a writer and editor and assesses manuscripts for publishers. She writes a books column for Business Day Wanted magazine. Magwood has a BA Honours degree from UKZN.

Dr Alma-Nalisha Cele

Cele is an experienced doctor with a demonstrated history of working in the pharmaceutical & health care industry. She is skilled in clinical skills, quality patient care, analytical skills, communication, and medicine. She holds a Bachelor of Medicine, Bachelor of Surgery – MBBCH focused in Medicine from University of the Witwatersrand and a postgraduate diploma (cum laude) in medicine development at University of Stellenbosch. She is also the co-founder of The Cheeky Natives, a literary podcast primarily focused on the review, curatorship and archiving of black literature. In 2019, she was named one of the Mandela Washington Fellows to undertake a prestigious fellowship in the United States. She was also named one of the Mail & Guardian’s top 200 Young South Africans in 2019.

Karavan Press at the FLF 2024

The Franschhoek Literary Festival17 to 19 May – is just around the corner and it promises to be another exciting literary adventure. We are thrilled to be involved. You can listen to and meet Karavan Press at the following events:

FRIDAY

11:30-12:30 | [6] THE SOLACE OF STORY
OLD SCHOOL HALL
When the world is falling apart, a novel can help. John Maytham digs into the empathetic and cathartic power of fiction with Andrew Brown, whose new thriller, The Bitterness of Olives, is set against the backdrop of the Israel–Palestine crisis; and with Ian Sutherland, whose new historical novel Catastrophe deals with the Chernobyl nuclear meltdown of 1986.

13:00-14:15 | [18] THAT’S WHAT SHE SAID (Screening)
FRANSCHHOEK THEATRE
Natasha Sutherland’s inventive documentary begins by observing the making of a stage adaptation of Tracy Going’s book Brutal Legacy, in which she reveals her past experience of abusive relationships. It then documents the frank conversations that follow between members of the audience. A powerful social dialogue about men, women and violence.

14:30-15:30 | [26] GOOD THINGS IN SMALL PACKAGES
COUNCIL CHAMBERS
In an age of attention deficits, short fiction is in demand. Diane Awerbuck (Inside Your Body There Are Flowers) discusses the nuts and bolts of the form with three writers: Troy Onyango (For What Are Butterflies Without Their Wings), Frankie Murrey (Everyone Dies) and Dawn Garisch (What Remains).

16:00-17:00 | [32] TURNING THE TIDE
CONGREGATIONAL CHURCH
Anti-GBV awareness campaigns are not stopping the war waged on women by violent men. What will? How will the codes of South African masculinity be rewritten? Tracy Going (Brutal Legacy) speaks to Andy Kawa (Kwanele, Enough!) and Joy Watson (Striving for Social Equity).

SATURDAY

10:00-11:00 | [47] A HOME IS NOT A HOUSE (Screening)
FRANSCHHOEK THEATRE
Written by Lester Walbrugh (Elton Baatjies) and directed by Earl Kopeledi, this short film is a bold exploration of Cape Town’s class and race chasms – and the weight of personal histories. Three homeless people are tasked with retrieving a hard drive from a beachside bungalow. They stick around to luxuriate, but then it gets complicated …
Lester Walbrugh and Earl Kopeledi will give a short Q&A after the screening.

13:00-14:00 | [61] THE GRIM READER
CHURCH HALL
“No two people ever read the same book”, reckoned literary critic Edmund Wilson. Even so, a writer’s imaginary reader can become a singular presence — one that variously needs to be defied, satisfied, seduced or erased. 2023 Sunday Times Literary Awards winner, C.A. Davids (How to Be a Revolutionary) swaps notes on readers with Karen Jennings (Crooked Seeds), Ivan Vladislavić (The Near North) and Craig Higginson (The Ghost of Sam Webster).

13:00-14:00 | [64] SIGNS OF A STRUGGLE
HOSPICE HALL
Sponsored by Pam Golding Properties
Thobeka Yose (In Silence My Heart Speaks) tells Sara-Jayne Makwala King about her experience of parenting a transgender child – and of understanding her child’s attempted suicide. How can parents of teenagers recognise a crisis, and fight the transphobia that inhibits teens from seeking help?

14:30-15:30 | [71] IN THE THIRST PERSON
CHURCH HALL
Having good sex is apparently easier than writing good sex scenes. But that’s not rocket science, surely? Letlhogonolo Mokgoroane juggles the ins and outs of high-end lit smut with Busisekile Khumalo (Sunshine and Shadows), Joy Watson (The Other Me) and Kobby Ben Ben (No One Dies Yet).

SUNDAY

10:00-11:00 | [88] THE WRITE THERAPIST
OLD SCHOOL HALL
Sewela Langeni gathers three writers who have grappled with personal trauma: memoirists Thobeka Yose (In Silence My Heart Speaks) and Margie Orford (Love and Fury); and Megan Choritz in Lost Property, a work of fiction. Does the ordeal of writing a painful history dispel the pain, and how?

10:00-11:00 | [92] STUCK IN THE MIDDLE
HOSPICE HALL
Sponsored by Pam Golding Properties
Claustrophobic tensions drive the acclaimed new novels by Booker long-listed Karen Jennings (whose Crooked Seeds proceeds from the discovery of human remains on a family’s land) and Nick Mulgrew (whose Tunnel traps a random group of travellers in a Cape highway tunnel). Both of these taut literary thrillers conjure unnerving versions of South African reality. Karina Szczurek will ask them to dig deep.

11:30-12:30 | [96] HOW TO GRIP
CHURCH HALL
Being unputdownable is a delicious dream for most fiction writers, but a rare knack. Still, some of the narrative tricks that make for a one-sitting read can be acquired, as Danielle Weakley learns when speaking with Femi Kayode (Gaslight), Fiona Snyckers (The Hidden) and Nick Mulgrew (Tunnel).

For the full programme, click here:

FLF 2024

Tickets:

Webtickets

Nick Mulgrew shortlisted for the BBC National Short Story Award

We are thrilled to announce that Nick Mulgrew, the author of Tunnel, A Hibiscus Coast, The First Law of Sadness and Stations (among others), has been shortlisted for the BBC National Short Story Award with Cambridge University for his story ‘The Storm’ – congratulations, Nick!

And congratulations to all other shortlisted authors!

NICK MULGREW was born in Durban in 1990. He writes novels, short fiction and poetry. Among his accolades are the 2016 Thomas Pringle Prize, the 2018 Nadine Gordimer Award, and a Mandela Rhodes Scholarship. His debut novel, A Hibiscus Coast, won the 2022 K. Sello Duiker Memorial Award. Since 2014 he has directed uHlanga, an acclaimed poetry press. He currently lives in Scotland, where he studies at the University of Dundee. Karavan Press published Nick’s first two novels and new editions of his short story collections:

Diane Awerbuck reviews TUNNEL by Nick Mulgrew for the Sunday Times

You’ve been here before. Confinement in close quarters after a disaster not of your making sounds pretty familiar, but Nick Mulgrew’s claustrophobic new novel, Tunnel, isn’t obviously about the pandemic.

It deals instead with the fallout after some unnamed but probably nuclear events that collapse the Huguenot Tunnel and render the surrounds uninhabitable. This terrifying prospect must surely have occurred to anyone travelling in carbon-monoxided convoy through the intestines of the Du Toitskloof mountains. How does this concrete hold back the weight of the mountain? What if it all falls in? Who would come? And how long would that take? And also, crucially for this novel, would it be worth surviving?

Set in a South Africa that’s the same but different, Tunnel plays with the idea of inversion. There’s a South-West and a Caprivi, and there are workers’ compounds and bush cops and baboons — but not as we know them. The day the action takes place is March Day, and all travellers need permits. Then the world goes dark.

After the characters’ initial panic, they find their space literally shrunk and the tunnel fast becomes “the inside-outside”. Their hell descent must continue before they can eventually find their way to fresh air and the elegiac upswing of the ending …

Continue reading: Sunday Times

TUNNEL by NICK MULGREW launched in South Africa

This week, we had the great pleasure of welcoming Nick Mulgrew, currently based in Edinburgh, back in South Africa for the launch of his second novel, Tunnel. Nick visited Liberty Books and The Book Lounge to celebrate his latest offering with readers. Both events were truly special, and I cannot thank Christy Weyer and Alistair Mackay enough for their wonderful launch interviews. Warmest gratitude to the two fabulous bookshops that are homes to writers and readers alike. Also, a huge thank you to Michael Tymbios for designing, not only the stunning cover of Tunnel, but also the matching covers of Nick’s two short story collections, Stations and The First Law of Sadness, which we brought back into print at Karavan Press.

Here are a few visual impressions from the launches:

Liberty Books, 23 May

The Book Lounge, 24 May

Thank you to all readers/friends who joined us on these two occasions! Happy reading!