Nina Geraghty reads Disturbance by Dawn Garisch

A straight from the heart reaction to Disturbance by Dawn Garisch after the launch of the poetry collection last week:

“Good morning Dawn… spent the rest of the evening reading your wonderful poems… like a skilled photographer, you capture the essence of a feeling-sense and then express it so it gets reproduced in me or maybe (as I couldn’t possibly know if that were true) better to say it evokes a complex emotional response that only that particular patterning of words can induce. Very apt collection title as each poem creates a ripple of disturbance, a rearrangement of emotional molecules that feels foreign yet satisfying. Favourites, apart from those read last night are: ‘Left Out’ (a punch in the heart) ‘Recovery’, ‘Pause’, ‘How Life Is’, ‘Littoral Zone’ (LOVE!), ‘Animal’, ‘Match’ (so clever), ‘Territory’ (aaaargh, yes), ‘Raw Notes’ (OMG!), ‘Getting Clear’, ‘Possession’ (I just about screamed aloud – Is Julia her real name?), ‘Flake’ made me laugh, ‘Sweet Girl’, ‘Waste’, ‘Going Home’. So much richness for me. Thank you.”

10 December 2020

Thank you to Nina for sharing and allowing us to post this enthusiastic reader’s review.

Karavan Press title: Disturbance by Dawn Garisch

we are mere players

in a pantomime, performing parts

which must stay true to narrative alone;

right now, this means weeping salt

into a chilli stew to the sound of the sea –

that enormous story, consistent and unfathomed,

repeating outside in the dark, endlessly. 

I write into questions of discomfort, tracking an image until the poem reveals a partial answer.

— Dawn Garisch

“They are poems to break hearts, and mend them again. And I swear I heard the sound of the potter’s wheel turning in The Sound in Stone.”

Jacques Coetzee

ISBN: 978-1-990992-57-5

Also available on Kindle: Disturbance by Dawn Garisch

Publication date: December 2020

About the author:

DAWN GARISCH Dawn Garisch is the highly acclaimed author of a non-fiction work, a memoir and seven novels, three of which were published in the UK. Her latest, Breaking Milk, was published by Karavan Press in 2019. She has written for television and has had five of her plays and a short film produced.

Her poem Blood Delta won the DALRO Prize in 2007 for best poem, and Miracle won the EU Sol Plaatje Poetry Award in 2011. Difficult Gifts, her debut poetry collection, was published the same year. She also writes short stories and her What to Do About Ricky won the Short.Sharp.Story competition in 2013.

Dawn’s novel Trespass was shortlisted for the Commonwealth Writers’ Prize in Africa in 2010, and Accident was longlisted for the Barry Ronge Sunday Times Fiction Prize in 2018. She is part of the medical humanities movement and a founding member of the Life Righting Collective where she runs courses in memoir writing. Dawn is also a practising medical doctor and lives in Cape Town.

Disturbance, published by Karavan Press, is her second poetry collection.

Author photograph by AJ Wattamaniuk.

Karavan Press to publish first poetry collection: FOR EVERYTHING THAT IS POINTLESS AND PERFECT by STEPHEN SYMONS

It is with delight that I share the news of Karavan Press’s first poetry collection: FOR EVERYTHING THAT IS POINTLESS AND PERFECT by Stephen Symons. As designer/typesetter, Stephen has been part of the Karavan Press family since the very beginning. It is wonderful to welcome him to the press as an author! Next year, we will also be publishing Stephen’s debut collection of short stories. But first: the poetry!

“Stephen Symons’s new collection is engineered for flight, gliding its way between the heavy and the weightless, memory and forgetting. It is a self-proclaimed ‘language of feathers’ that makes this flight possible, a spiritual athleticism that brings to mind George Herbert, whose idea was that the ‘fall furthers the flight in me.’ Symons’s skill is in creating a fathomable sphere for the dimensions of war, contextualizing the enormous facts with small detail, whether referencing Amichai’s ‘diameters of bombs/and sadness of open closets’ or exploring the weightless dross of childhood in the beautiful piece ‘My son was conscripted.’ Symons creates an epicentre of violence by means of an exquisite prose poem sequence that reverberates even to the quietest poems in the book. But the work, as in all of Symons’s poetry, keeps thrusting us back into the present with all its perfect natural math as counter to aftermath: a child’s laughter; sunlight trickling over mossed stones; a ballet of cormorants. This is a beautiful book by one of South Africa’s most tender poets of witness.”

— David Keplinger, author of Another City (Milkweed Editions, 2018), and The Long Answer: New and Selected Poems (Stephen F. Austin University Press, 2020)

FOR EVERYTHING THAT IS POINTLESS AND PERFECT by Stephen Symons will be published in November 2020.

Stephen Symons has published poetry and short-fiction in journals, magazines and anthologies, locally and internationally. His debut collection, Questions for the Sea (uHlanga, 2016) received an honourable mention for the 2017 Glenna Luschei Prize for African Poetry, and was also shortlisted for the 2017 Ingrid Jonker Prize. His unpublished collection Spioenkop was a semi-finalist for the Hudson Prize for Poetry (USA) in 2015. His second collection, Landscapes of Light and Loss, was published by Dryad Press in 2018.

Symons holds a PhD in History (University of Pretoria) and an MA in Creative Writing (University of Cape Town). He lives with his family in Oranjezicht, Cape Town.

“Stillness is leaking from stone and concrete” by Stephen Symons

Stillness is leaking from stone and concrete

Whether night or day
the world seems paused at 4AM —

Somewhere a grey priest
is ringing a church bell,
practicing for that moment
when the clocks cast off this spell.

I once gave a family
a jigsaw puzzle to pass the time
and now wonder if they ever
discovered it was missing
a single piece of sky.

Across the city, an old man
is watching that piece of sky
slide from the landscape on his curtains,
while next door, two lovers have become
the mapmakers of their own bodies.

Stillness is leaking
from stone and concrete
into the streets,
so each pool of reflection
is a duplicate earth distilled of humanity.

Most of the voices we know
have turned to dust and breadcrumbs,
snaring sunlight on the
floorboards of empty hallways.

Slowly, nature is making a temporary
comeback of clarity and vengeance
until each minute is missing a second
and each hour, a minute.

Eventually, all those seconds and minutes
will add to something
that is neither night nor day,
something closer to the purity
of a ticking clock in darkness,
marking that moment we
cast off the spell
before sleep,

and once again,

the streets will be full
of the languages
and laughter of countries
returning to blindness.

 

Stephen Symons is a graphic designer and poet. He holds an MA in Creative Writing and a PhD in Historical Studies. His poetry, essays and short-fiction have been published in journals, magazines and various anthologies, locally and internationally, including Prufrock, Carapace, Stanzas, New Contrast, New Coin, uHlanga, Aerodrome, Poetry Potion, The Kalahari Review, LitNet, Badilisha Poetry, Wavescape and Patricia Schonstein’s Africa anthology series. His short stories have also appeared in the Short.Sharp.Stories anthologies (2015, 2016 and 2017), amongst other anthologies and magazines. His unpublished collection, Spioenkop, was listed as a semi-finalist for the Hudson Prize for Poetry (US) in 2015. A selection of his poems was selected for an international anthology of contemporary poetry, titled A World Assembly of Poets (2017). Stephen’s debut collection of poetry, Questions for the Sea, was published in 2016 by uHlanga Poetry Press and received an honourable mention for The Glenna Luschei Prize for African Poetry in 2017. His second collection of poetry, Landscapes of Light and Loss, was published in 2018 by Dryad Press. He lives in Oranjezicht with his wife and two children.

Stephen has designed (cover and typesetting) the following books for Karavan Press: