Celebrating the fabulous, multi-talented designers we work with:
Monique Cleghorn | Nick Mulgrew | Megan Ross | Stephen Symons
Not representing Karavan Press at the Awards this year, but hopefully next year again, is Megan Ross, who designed the stunning covers of Melissa A. Volker’s novels, A Fractured Land and Shadow Flicker (2019). Melissa’s third novel is on its way …
In the meantime, Megan’s SSDA Disruption cover features at the Awards in 2021:
The winners of The Red Wheelbarrow Poetry Competition have been announced earlier today. Congratulations to all, but especially Stephen Symons! Stephen’s poem, “Small Souls”, took the first prize in the competition. Karavan Press is the proud publisher of Stephen’s latest collection, FOR EVERYTHING THAT IS POINTLESS AND PERFECT.
The Red Wheelbarrow held their first poetry competition and announced their shortlist of eleven poets from which the prize winners will be selected. Congratulations to these fantastic poets, among them Stephen Symons, the author of FOR EVERYTHING THAT IS POINTLESS AND PERFECT!
Stephen Symons will be the featured poet at The Red Wheelbarrow next week.
Stephen Symons is a graphic designer and Postdoctoral Mellon Fellow at the University of Pretoria. He holds an MA in Creative Writing (UCT) and a PhD in History (UP). Symons’s poetry collections (Questions for the Sea, 2016 & Landscapes of Light and Loss, 2018) and short stories have been published locally and internationally. He was short-listed for the American Hudson Prize for Poetry (2015), Glenna Luschei Prize for African Poetry (2017) and the Ingrid Jonker Prize for Poetry (2018). His third collection, For Everything that is Perfect and Pointless was published in 2020. He lives with his family in Oranjezicht, Cape Town.
**As always, the reading by the featured poet will be followed by an open mic session for poets from the audience. Poets are welcome to read from their own work as well as from the work of a favourite poet**
My mother’s garments
never seemed to grow old.
Slack suits and twin sets
from the seventies,
woven from some synthetic
substance that did not wear
or tear, unlike the natural fibre
of her skin. My aged mother’s
delicate covering bled
every time she stumbled.
Worn out; worn to shreds.
— "Going home", Disturbance, Dawn Garisch
It has just gone six a.m. I walk my son down the road to the corner where we wait for his lift. The sun is rising, the light streaking the horizon gold. I comment on the morning buzz, the company we keep, power-walkers, the dog walkers, workers and school kids heading for the train. ‘The day carries on.’
Without you, the day must carry on.
Al says, ‘Of course, but let me remind you that you’re wearing pyjamas.’
— Death and the After Parties, Joanne Hichens
They fled with nothing, never stopping. Not even when his mother tripped, his sister, tied to her back, knocking her head so hard that a bump rose immediately. She had been crying, now she screamed. Yet still they ran, amid their own blood and spittle, as the black cloud of the burning valley hunted them, chasing them forward, forward, towards the blue sky.
— An Island, Karen Jennings
Now Shirley, you know, became a mother quite young – sixteen or something like that. She ran away from home with newborn Jason; his naeltjie at his belly hadn’t even fallen off yet. Came to Cape Town where she thought no one would find her. The Northern Cape was far.
— "Homeful", Let It Fall Where It Will, Lester Walbrugh
Lexi shrugged off her coat. She heard the rustle of beads as her mother, Sandra, came through the hippie curtain from the kitchen at the end of the long hallway. Like the town was bisected by a highway, so was their house by the passage.
‘I thought you would be asleep by now.’ Lexi feigned surprise.
‘I waited up. You’re my responsibility now.’ Her mother was in a kaftan, her hair long and loose. She looked like she’d escaped from the Mamas and the Papas.
‘Yay.’ The joys of being dumped and fleeced by her husband never ceased.
— A Fractured Land, Melissa A. Volker
I still remember my mother’s words when we got in the car to go to mass. ‘It’s Christmas, Mary, not a funeral.’ But I’ve always worn black. I would have said she was tempting providence, if that wasn’t exactly the sort of thing she would say. I should have, though. When we got home, a bunch of armed response cars were blocking the gates to the complex. The police were there. Men in bulletproof vests. Guns.
— A Hibiscus Coast, Nick Mulgrew
Not a word was exchanged between us as my mother and I made our way home. She must have seen how disappointed I was for, as soon as we walked into the house, she turned to me, demanding – ‘Where is the form?’
Puzzled, I looked at her. What use was that form now? What would she do with it? Only my father could sign it; and he had flatly refused, hadn’t he?
‘Give me the form, Thembi.’
‘Why, Mama?’
‘Letha, bo!’
My mother forged Baba’s signature.
I applied for a passport, astounded by my mother’s actions. She had shown me a side of her I didn’t suspect existed.
— Theatre Road, Sindiwe Magona
The lagoon has
forgotten us
like a son
sometimes
forgets his father
but never his mother
— "Port is red and starboard green", For Everything That Is Pointless and Perfect, Stephen Symons
But tell me this: where is his irrepressible, eternal soul? Because that is what interests me more. Where is his spirit, free of the gritty, grey residue of his body, which I have felt with my own hands? Because I, with the five senses of a woman, and undeniable sixth one 16 of a mother, cannot fathom the dimension within which my child now exists.
— "Lost", Earth to Mom, Sue Brown
A magical evening! Earlier today, we launched FOR EVERYTHING THAT IS POINTLESS AND PERFECT by Stephen Symons at Wordsworth Books Gardens. Real bookshop, real people, live poetry reading! Stephen was in conversation with author Paul Morris and read from his stunning poetry collection as well as yet unpublished poems, which will feature in his forthcoming book … Watch this space!
Our gratitude to the booksellers of Wordsworth Books Gardens for their dedication and support. Thank you, Stephen and Paul – it was wonderful to listen to you talk about poetry and its magic. And thank you to all who attended the event. It was so good to interact with readers in real life again! Thank you.