
Arts and lifestyle writer Robyn Y. Cohen reviews Theatre Road, Thembi Mtshali-Jones’s story as told to Sindiwe Magona:

“A big surprise for me in reading Theatre Road is that it operates along two converging points. There is the Thembi Mtshali-Jones story – how she made her way from domestic worker to international star on her personal theatre road. And there is the story of the theatre road of Black artists in South Africa and how they have been – and in many instances continue to be –side-lined in terms of recognition (creative and intellectual property) and remuneration.”
“Absence and presence resonate powerfully in reading in Theatre Road and will stay in my mind – long after learning about the details of Mtshali-Jones’ life. From an early age, she dealt with the absence of her mom who was a domestic worker. She was not absent by choice but circumstance of Apartheid which forced her to be separated from her child in order to earn a living. Until she was 13, Mtshali-Jones saw her mom only about once a year. She stayed with her grandparents. Although her mother was not physically there, she was very much a loving presence and this is conveyed deeply by Mtshali-Jones in this book. Her father was generally absent. He was keen to get back into her life when she was famous. His absence was felt but it didn’t define her life and she didn’t shroud herself in anger and resentment.”
Click here to read the entire review: The Cape Robyn


Theatre Road




Shadow flicker vertel die storie van Kate Petersen wat leef vir haar werk, veral omdat haar persoonlike lewe ’n gemors is ná ’n lewensveranderende gebeurtenis. Sy vertrek na St Francisbaai in die Oos-Kaap, waar sy die boere moet oorreed om hul grond beskikbaar te stel vir die ontwikkeling van hernubare kragopwekking. Dit is haar keuse om nie haar baas in te lig dat sy terugkeer na die plek waar haar probleme ontstaan het nie – ’n tragedie wat steeds by haar spook en die oorsaak van haar paniekaanvalle is.
“Highly emotive, the novel is an evocative and thoughtful exploration of confrontations, loss and ultimately acceptance.“
We enter the rooms of Kate’s mind as she wrestles with her inner anguish using her routine chores to cover her turmoil. Making cheese, running the farm and restaurant, dealing with her dementia addled father, a manipulative ex-husband and a besotted neighbour take us step by step through this day in vivid prose. Mothers united in their fear, Kate and Nosisi whose son Luzoko is undergoing initiation, work side by side in silent contemplation.
