You are invited to send in your short stories. Happy writing!
For the submission form, please email: shortsharpstories.fluid@gmail.com

You are invited to send in your short stories. Happy writing!
For the submission form, please email: shortsharpstories.fluid@gmail.com
As many of you would have seen when the original press release about the University of Johannesburg Prize for Creative Writing shortlists went out on 15 September, our A Hibiscus Coast by Nick Mulgrew was included — troublingly, however, for the debut prize.
But the novel is the author’s fourth book, a fact clearly stated both inside the book and on its cover.
We were thrilled nevertheless, because we thought that the inclusion of the novel might have been a simple administrative mix-up, and that the novel belonged on the main category’s shortlist.
When we asked for clarification before making an official announcement on our side, however, the response was:
“Unfortunately, the UJ literary prize panel erroneously shortlisted Nick Mulgrew’s The [sic] Hibiscus Coast as a debut publication. As his publisher pointed out that he had published creative writing previously, we have removed this wonderful book from the debut shortlist. Apologies for any inconvenience caused.”
With considerable disappointment, therefore, the book has been withdrawn entirely from consideration for the University of Johannesburg Prizes.
Thank you to all who congratulated Nick and Karavan Press after the initial press release. We are celebrating this exceptional novel (shortlist or no shortlist) and continue to congratulate the shortlisted authors.
Here is the updated, correct (sadly for us), press release: JRB.
For more details, please see: The Island Prize 2022-2023
Submissions for the inaugural The Island Prize opened in September of 2021. By the time the submission window ended in mid-December, we had received more than 120 entries from all over Africa. There is a myth that there is only one type of storytelling in Africa. We can say with confidence that this is not the case. The submissions we saw were not only written in a variety of styles, but also included different genres and subjects, depicting people and experiences from all walks of life. You need only look at the shortlist to see a sample of these! However, before we get to the shortlist, we must thank our volunteer readers who spent many hours going through submissions and who helped to whittle them down to a longlist of ten. At this point the judges – Karen Jennings, Obinna Udenwe and Hilda Twongyeirwe – began reading the manuscripts and were pleased to note that the ten longlisted authors came from all over the continent, with the following countries represented: Zambia, Zimbabwe, Nigeria, Kenya, Uganda, South Africa and Algeria. After careful reading, the judges were able to agree unanimously on the five manuscripts selected for the shortlist.
And here are the winners:
“Glass Tower” by Sarah Isaacs
“A Darkness with Her Name on It” by Doreen Anyango
The other three novels could not be separated and so we have three in third place.
“Single Minded” by Marina Auer
“Sand Roses” by Hamza Koudri
“Delightful Cage” by Joyce Odera
Continue reading to find out more about this year’s winners: The Island Prize 2022 Winners
A Darkness with Her Name On It by Doreen Anyango (Uganda)
Single Minded by Marina Auer (South Africa)
Sand Roses by Hamza Koudri (Algeria)
Glass Tower by Sarah Isaacs (South Africa)
Delightful Cage by Joyce Nwankwo (Nigeria)
Congratulations to the writers!
For details about the prize see: The Island Prize
For details about the shortlist announcement see: The Bookseller
To say that 2021 was a rough year for Karavan Press would be a gross understatement. Sinking into debt and depression by the end of June, I did not think that we would make it despite some amazing things happening. That everything was still continuing relatively smoothly on the surface was due to the fact that I work with the kindest and most patient people – authors, editors, designers, printers, distributors and booksellers – and that we have the support of the most wonderful readers.
Yet, in June, due to all the challenges of the lockdown, it was difficult to see a future for Karavan Press. Then: I made one decision that felt crazy at the time; and a miracle happened.
The decision was to start distributing Karavan Press titles on a firm-sale basis from the 1st of July. I thought that this would result in hardly any sales to bookshops, because it shifted the risk of actually getting our books into readers’ hands to the booksellers. But the way they – the booksellers – responded was astounding. The support has been incredible. If you see a Karavan Press book on the shelves of a bookshop, it means that they really believe in it and in us. For this and so much more, I am deeply grateful to all the booksellers who have given us a chance despite the so much greater risk to themselves that they are now taking on our behalf. You are my heroes!
The miracle was the Booker longlisting of An Island by Karen Jennings. I loved An Island from the first page of the manuscript and knew that I would publish it no matter what. I would have been proud of having published it even if it had sold only a handful of copies. But, the Booker nomination catapulted the book into Karavan Press bestseller status, where it joined our other bestseller, Death and the After Parties by Joanne Hichens, also longlisted for a prestigious award this year, the Sunday Times / CNA Non-Fiction Award. And the nomination put us on an international map and opened new doors and possibilities. One of these is the establishment of The Island Prize. Founded by Karen Jennings and Holland House Books, her UK publisher, it is a prize for an African debut novel and might mean the beginning of a few stellar literary careers on the continent. To partner with Karen and Robert Peett of Holland House Books on this has been one of the great joys of 2021. Thank you to both for making miracles happen!
We had other stunning local and international award nominations and wins this year. Considering that we have been publishing only since mid-2019 and have only sixteen titles on our list so far, I am immensely proud of these achievements:
Sunday Times / CNA Fiction Award shortlist: Breaking Dawn by Dawn Garisch Sunday Times / CNA Non-Fiction Award longlist: Death and the After Parties by Joanne Hichens Page Turner Award longlist: A Fractured Land by Melissa A. Volker Booker longlist: An Island by Karen Jennings K. Sello Duiker Memorial Literary Award: An Island by Karen Jennings GBAS Book Cover Design Awards Poetry shortlist: Stephen Symons for Beat Routes by Justin Fox The Red Wheelbarrow Poetry Competition: ‘Small Souls’ by Stephen Symons
Congratulations to all authors!
Another great decision this year was to welcome Penny Haw into the extended Karavan Press list as we partnered with her and Protea Distribution to distribute two of Penny’s books locally. And guess what: in August, her novel The Wilderness Between Us, published in the USA by Köehler Books, was named an award-winning finalist in the 2021 American Fiction Awards.
Other highlights of the year for Karavan Press were live events and special publications. Even with all the lockdown restrictions, we managed to share quite a few live events, including an entire one-day Karavan Press Literary Festival, with our readers. To talk books with other enthusiasts is always a pleasure and we hope to continue organising and participating in live events next year. As to special publications: one Karavan Press title – The Skipper’s Daughter by Nancy Richards – appeared in a highly limited hardcover edition, and another – Small Souls by Stephen Symons – was compiled and printed under the Karavan Press logo by Stephen after he won the inaugural Red Wheelbarrow Poetry Competition. Neither are available for distribution, but it is simply exciting to know that they exist. The good news is that the poems included in Small Souls will feature in an upcoming collection of Stephen’s selected poems. And this is only one of a few truly stunning books Karavan Press will be publishing next year.
We have survived, thrived against all odds – and! – we do have a future. I look forward to writing the next chapter with our authors. Thank you to them, to all other creatives who work with us, and to all our readers!
Karavan Press books of 2021:
“As African writers, we are often faced with a double dose of challenges. Firstly, getting published within African countries can be incredibly difficult because local publishers are often constrained by finances. Secondly, for many writers getting published overseas is almost impossible because the rest of the world has certain ideas of what an African story should be. Having experienced these challenges first-hand – being told that a novel is ‘too African’ or ‘not African enough’ – I know how important it is that stories from Africa be given a wide variety of platforms so that they can be shared at home and abroad without the need to fit certain moulds. I am proud to be part of The Island Prize for a Debut Novel from Africa – a competition where the judges are African and where the winners have an opportunity of being published both in the UK and in South Africa. This is one step towards bridging the gap between here and there, us and them. In fact, it is through prizes like these that authors across the continent can gain the confidence to tell stories as they wish. The hope is that, with time, such stories will become appreciated across the globe, without first being labelled as an exception or a surprise.”
— Karen Jennings
For more details and the submission form, please see:
Good luck!
This year’s discovery, though, is Jennings (born 1982), who, in spite of having produced several excellent earlier books, has not been afforded the acclaim in South Africa that she deserves. The truth of the hoary adage that a prophet is rarely hallowed in her own land rings especially true, it would seem, of South Africans who write literary fiction in English.
[…]
Whether Jennings’ name appears on the shortlist that will be announced in London tomorrow afternoon or not, one can only hope that her longlisting will have changed the trajectory of her career: that she will never again have to make out a case to be published. And never again be published in print runs of only 500.
LitNet
Karavan Press is thrilled and deeply honoured to announce that An Island by Karen Jennings has been longlisted for the 2021 Booker Prize. Co-published with UK publisher, Holland House Books, An Island tells the story of Samuel, a lighthouse keeper.
Samuel has lived alone for a long time; one morning he finds the sea has brought someone to offer companionship and to threaten his solitude …
A young refugee washes up unconscious on the beach of a small island inhabited by no one but Samuel, an old lighthouse keeper. Unsettled, Samuel is soon swept up in memories of his former life on the mainland: a life that saw his country suffer under colonisers, then fight for independence, only to fall under the rule of a cruel dictator; and he recalls his own part in its history. In this new man’s presence he begins to consider, as he did in his youth, what is meant by land and to whom it should belong. To what lengths will a person go in order to ensure that what is theirs will not be taken from them?
A novel about guilt and fear, friendship and rejection; about the meaning of home.
“The far southern extremities of our planet produce remarkable, distilled, and ravaged tales. An Island has to be counted as among the most remarkable of these. Karen Jennings offers a chilling, immersive portrait of Samuel, a lighthouse keeper on a remote island off the African continent. He is a man at the edge of history, until the arrival of a refugee stranger returns him to everything he most needs to forget. A gripping, terrifying and unforgettable story.” — Elleke Boehmer