I wanted to express what I find unusual and fascinating about your writing – which this book seemed to exemplify – and I needed to think about it. I know you talk about ‘embodied’ writing. I am not sure exactly how you define that, but having read six of your books now I am going to try to articulate what I think is the ‘physicality’ of your writing.
I think your writing takes one to the edges of human experience and tells us what it is like to be there. Your knowledge of the human body makes it possible for you to describe what one can barely imagine – being the mother and grandmother of conjoined twins in this case – and tell us what it is like, in a physical as well as emotional way. (Other examples: the relationship between Phyllis and the young boy in Trespass, and the ‘accident’ in Accident). Your writing takes one to the edge of what many of us have been taught to regard as acceptable subjects to speak or write about. You write as elegantly about urinating and defecating, sex and orgasms as you do about mountains and music and ideas. Breaking Milking also seems to be particularly well-researched, yet one never gets a sense of the labour that must have been involved. You write as if you were a cheesemaker yourself!
I continue to be a great admirer of your writing.
Dr Mignonne Breier is an author and academic based in Cape Town.
(Personal note posted with permission of the author.)
Writing the Environment: where fact meets fiction
This Writing Life 
I have just completed reading Breaking Milk and I enjoyed it completely. It was a rollercoaster ride in the best way. At first I was less intrigued by the story and more fascinated by the style of writing, it truly is poetic in the analogies that are drawn and the way Dawn describes the surroundings, people and feelings. After a while I became accustomed to the style of writing (still fascinated by it though) and then I was absorbed into the story. But towards the end the most riveting aspect of the book became the understanding and expression of the human condition by the author.
We enter the rooms of Kate’s mind as she wrestles with her inner anguish using her routine chores to cover her turmoil. Making cheese, running the farm and restaurant, dealing with her dementia addled father, a manipulative ex-husband and a besotted neighbour take us step by step through this day in vivid prose. Mothers united in their fear, Kate and Nosisi whose son Luzoko is undergoing initiation, work side by side in silent contemplation.
karavanpress.com 