For more information, please see: Brittle Paper
“As African writers, we are often faced with a double dose of challenges. Firstly, getting published within African countries can be incredibly difficult because local publishers are often constrained by finances. Secondly, for many writers getting published overseas is almost impossible because the rest of the world has certain ideas of what an African story should be. Having experienced these challenges first-hand – being told that a novel is ‘too African’ or ‘not African enough’ – I know how important it is that stories from Africa be given a wide variety of platforms so that they can be shared at home and abroad without the need to fit certain moulds. I am proud to be part of The Island Prize for a Debut Novel from Africa – a competition where the judges are African and where the winners have an opportunity of being published both in the UK and in South Africa. This is one step towards bridging the gap between here and there, us and them. In fact, it is through prizes like these that authors across the continent can gain the confidence to tell stories as they wish. The hope is that, with time, such stories will become appreciated across the globe, without first being labelled as an exception or a surprise.”
— Karen Jennings
For more details and the submission form, please see:
Earlier today, I met with Lester at Liberty Books and Peregrine Farmstall in Grabouw to discuss the publication of his debut novel. We plan to release it in early 2022. The novel is a stunningly written, chilling page-turner set in the Grabouw area. It explores the lethal consequences of shame and silence. A book that will have you reeling long after the last page is turned.
‘Of course, the entirety of human history might be summed up in the two words – “Humans migrate” – but mine was not an experience I had ever encountered in literature. (A Hibiscus Coast isn’t autobiographical, but is based directly on experience, both mine and other people’s.)’Africa in Dialogue
But A Hibiscus Coast is not all satire. Mulgrew is a sensitive man, and he invokes and then banishes the wishes, regrets, dreams and frustrations that plague us. How difficult it is to write powerfully and meaningfully about feelings; our personal revelations are mostly boring to others. But Mulgrew’s technique is persuasive, at once chattily vernacular and then so lyrical he could name new palettes for Plascon.
This self-interrupting search is linked to his favourite theme, and one which he explores to its fullest in A Hibiscus Coast: the human responsibility to know ourselves in order to know others, and our obligation to tell the truth. We must face our old selves or be consigned to further continental drift.Sunday Times
“Her eyes had adjusted, and the light was that of another country.”
Durban North, 1997. Following two shocking and insidious incidents of violence, nineteen-year-old Mary Da Costa is flying to Auckland ahead of her parents to make a new start. She is riddled with reservations – New Zealand is where her late brother was supposed to move – and all she really wants to do is keep to herself and work on her art.
On arrival, Mary comes under the wings of the South African ex-pat community, struggling with its own tensions between homesickness and belonging. Finding work at a local dairy, she meets self-appointed Māori leader Nepukaneha Cooper – Buck, as he’s better known. He and his family have some history with these rugby-mad lovers of apartheid, even more now that they’re encroaching on his turf. If only he had the means to fight them off and realise his life-long dream of establishing a marae on the beautiful strip of coast he has always called home.
Meanwhile, adrift between past and present, Mary is forced to dig deep in order to find her own truths and place in the world.
Nick Mulgrew’s long-awaited debut novel – of grand metaphors, silences, absences, and two cities and countries in flux – is a delightfully innovative, surprising, and warm-hearted meditation on family, loss, and home, as well as a deft examination of dislocation, dispossession, and the cultural blind spots of two very different (and in some ways similar) communities.
Publication date: May 2021
About the author:
NICK MULGREW was born in Durban in 1990. He is a Mandela Rhodes Scholar, the recipient of the 2016 Thomas Pringle and 2018 Nadine Gordimer Awards, and the director of the award-winning poetry press, uHlanga.
Raised in Durban North and Orewa, he currently lives in Edinburgh, and is a PhD candidate at the University of Dundee. A Hibiscus Coast is his fourth book, and first novel.
Nick Mulgrew was born in Durban in 1990. He is a Mandela Rhodes Scholar, the recipient of the 2016 Thomas Pringle and 2018 Nadine Gordimer Awards, and the director of the award-winning poetry press uHlanga. He currently lives in Edinburgh, where he is a PhD candidate at the University of Dundee. A Hibiscus Coast is his first novel.