Gail Gilbride reviews Crooked Seeds by Karen Jennings

Karen Jennings has delivered another masterpiece! The compelling Deidre Van Deventer confronts her family’s dark past in this riveting novel about trauma, guilt, and entrapment. In her dismal abode in the drought-ravaged Cape Town of 2028, the protagonist receives a call from the South African police department. Her family home, reclaimed by the government, is now the scene of a criminal investigation. After decades underground the remains of bodies have been found on this property. Detectives interrogate Deidre about her missing brother’s links with a 1990’s pro-apartheid group, but she appears to know nothing about this.

What Deidre does know is that, because of her sibling, she was denied her dream life. Instead, she is left with an aging mother, and she’s dependent on government help and kind neighbours. Fresh evidence surfaces and detectives keep gently pressurising Deidre to give them anything at all that she might remember …

Jennings’s vivid, stark prose and visceral imagery secure her a place as one of our greatest writers.

I dare you to read this intense, unforgettable novel.

Gail Gilbride is the author of Under the African Sun and Cat Therapy.

CROOKED SEEDS by Karen Jennings launched at The Book Lounge

Deidre, the “compelling”, in Hedley Twidle’s words, protagonist of Crooked Seeds by Karen Jennings, had her first official outing in her hometown, Cape Town, last night at The Book Lounge. The bookshop was filled with writers and readers who wished Deidre – this broken, fascinating, difficult character – well. “She is horrific,” the author said about her creation, “but I loved writing her.” And she emphasised that no matter how difficult certain aspect of the novel are to read, Crooked Seeds is her love song for South Africa, a country she cares about deeply: “I am in awe of our resilience, and the people who are saving communities, caring for others, despite all the failures of the officials.”

“She is a word surgeon,” Mervyn said of Karen in the introduction to the evening. She is indeed. And Dr Karen Jennings is also a hermit by her own admission, finding “all my writing a never-ending hell. At some point in my life,” she said, “I must have signed a contract with the devil. I asked to be a writer, and I was granted the wish, but I did not read the small print, which said: you will be a writer, but you will be in agony from now on.” Agony and all, she hasn’t lost her humour. And her exquisite writing is a precious gift to our literary world.

Thank you, Karen, for writing another incisive, stunning novel and for being the wonderful person you are. Thank you to Hedley and The Book Lounge team for all the incredible support. To all who were there: mountains of gratitude!

Dear Readers,
May Deidre make you feel, and think about our own fragility and brokenness. She is impossible to ignore …

Karavan Press at the FLF 2024

The Franschhoek Literary Festival17 to 19 May – is just around the corner and it promises to be another exciting literary adventure. We are thrilled to be involved. You can listen to and meet Karavan Press at the following events:

FRIDAY

11:30-12:30 | [6] THE SOLACE OF STORY
OLD SCHOOL HALL
When the world is falling apart, a novel can help. John Maytham digs into the empathetic and cathartic power of fiction with Andrew Brown, whose new thriller, The Bitterness of Olives, is set against the backdrop of the Israel–Palestine crisis; and with Ian Sutherland, whose new historical novel Catastrophe deals with the Chernobyl nuclear meltdown of 1986.

13:00-14:15 | [18] THAT’S WHAT SHE SAID (Screening)
FRANSCHHOEK THEATRE
Natasha Sutherland’s inventive documentary begins by observing the making of a stage adaptation of Tracy Going’s book Brutal Legacy, in which she reveals her past experience of abusive relationships. It then documents the frank conversations that follow between members of the audience. A powerful social dialogue about men, women and violence.

14:30-15:30 | [26] GOOD THINGS IN SMALL PACKAGES
COUNCIL CHAMBERS
In an age of attention deficits, short fiction is in demand. Diane Awerbuck (Inside Your Body There Are Flowers) discusses the nuts and bolts of the form with three writers: Troy Onyango (For What Are Butterflies Without Their Wings), Frankie Murrey (Everyone Dies) and Dawn Garisch (What Remains).

16:00-17:00 | [32] TURNING THE TIDE
CONGREGATIONAL CHURCH
Anti-GBV awareness campaigns are not stopping the war waged on women by violent men. What will? How will the codes of South African masculinity be rewritten? Tracy Going (Brutal Legacy) speaks to Andy Kawa (Kwanele, Enough!) and Joy Watson (Striving for Social Equity).

SATURDAY

10:00-11:00 | [47] A HOME IS NOT A HOUSE (Screening)
FRANSCHHOEK THEATRE
Written by Lester Walbrugh (Elton Baatjies) and directed by Earl Kopeledi, this short film is a bold exploration of Cape Town’s class and race chasms – and the weight of personal histories. Three homeless people are tasked with retrieving a hard drive from a beachside bungalow. They stick around to luxuriate, but then it gets complicated …
Lester Walbrugh and Earl Kopeledi will give a short Q&A after the screening.

13:00-14:00 | [61] THE GRIM READER
CHURCH HALL
“No two people ever read the same book”, reckoned literary critic Edmund Wilson. Even so, a writer’s imaginary reader can become a singular presence — one that variously needs to be defied, satisfied, seduced or erased. 2023 Sunday Times Literary Awards winner, C.A. Davids (How to Be a Revolutionary) swaps notes on readers with Karen Jennings (Crooked Seeds), Ivan Vladislavić (The Near North) and Craig Higginson (The Ghost of Sam Webster).

13:00-14:00 | [64] SIGNS OF A STRUGGLE
HOSPICE HALL
Sponsored by Pam Golding Properties
Thobeka Yose (In Silence My Heart Speaks) tells Sara-Jayne Makwala King about her experience of parenting a transgender child – and of understanding her child’s attempted suicide. How can parents of teenagers recognise a crisis, and fight the transphobia that inhibits teens from seeking help?

14:30-15:30 | [71] IN THE THIRST PERSON
CHURCH HALL
Having good sex is apparently easier than writing good sex scenes. But that’s not rocket science, surely? Letlhogonolo Mokgoroane juggles the ins and outs of high-end lit smut with Busisekile Khumalo (Sunshine and Shadows), Joy Watson (The Other Me) and Kobby Ben Ben (No One Dies Yet).

SUNDAY

10:00-11:00 | [88] THE WRITE THERAPIST
OLD SCHOOL HALL
Sewela Langeni gathers three writers who have grappled with personal trauma: memoirists Thobeka Yose (In Silence My Heart Speaks) and Margie Orford (Love and Fury); and Megan Choritz in Lost Property, a work of fiction. Does the ordeal of writing a painful history dispel the pain, and how?

10:00-11:00 | [92] STUCK IN THE MIDDLE
HOSPICE HALL
Sponsored by Pam Golding Properties
Claustrophobic tensions drive the acclaimed new novels by Booker long-listed Karen Jennings (whose Crooked Seeds proceeds from the discovery of human remains on a family’s land) and Nick Mulgrew (whose Tunnel traps a random group of travellers in a Cape highway tunnel). Both of these taut literary thrillers conjure unnerving versions of South African reality. Karina Szczurek will ask them to dig deep.

11:30-12:30 | [96] HOW TO GRIP
CHURCH HALL
Being unputdownable is a delicious dream for most fiction writers, but a rare knack. Still, some of the narrative tricks that make for a one-sitting read can be acquired, as Danielle Weakley learns when speaking with Femi Kayode (Gaslight), Fiona Snyckers (The Hidden) and Nick Mulgrew (Tunnel).

For the full programme, click here:

FLF 2024

Tickets:

Webtickets

Karavan Press title: Crooked Seeds by Karen Jennings

The highly anticipated Crooked Seeds by Karen Jennings is launching in the UK tomorrow. The South African edition of this unflinching and profound novel will be published locally in early May. Please join us for The Book Lounge launch on 8 May.

About the book:

Cape Town, 2028. The land cracks from a years-long drought, the nearby mountains threaten to burn, and the queue for the water trucks grows ever longer. In her crumbling corner of a public housing complex, Deidre van Deventer receives a call from the South African police. Her family home, recently reclaimed by the government, has become the scene of a criminal investigation. The remains of several bodies have just been unearthed from her land, after decades underground. Detectives pepper Deidre with questions: Was your brother a member of a pro-apartheid group in the 1990s? Is it true that he was building bombs as part of a terrorist plot?

Deidre doesn’t know the answers to the detectives’ questions. All she knows is that she was denied – repeatedly – the life she felt she deserved. Overshadowed by her brother, then left behind by her daughter after she emigrated, Deidre must watch over her aging mother and make do with government help and the fading generosity of her neighbours while the landscape around her grows more and more combustible. As alarming evidence from the investigation continues to surface, and detectives pressure her to share what she knows of her family’s disturbing past, Deidre must finally face her own shattered memories so that something better might emerge for her and her country.

In exquisitely spare prose, Karen Jennings weaves a singularly powerful novel about post-apartheid South Africa. It is an unforgettable, propulsive story of fractured families, collective guilt, the ways we become trapped in prisons of our own making, and how we can begin to break free.

ISBN: 978-1-7764726-2-8

Cover artwork of the SA edition by Deborah Minné.

Praise for Crooked Seeds:

‘Karen Jennings is a modern master of the castaway novel. Her characters are often exiled from the world—physically or psychologically, sometimes both. Crooked Seeds’ Deidre and Trudy are unforgettable characters living on the margins of life. Together they make this an unsparing, yet profoundly beautiful novel.’ – Chigozie Obioma, author of The Fishermen and An Orchestra of Minorities, both shortlisted for the Booker Prize

‘This is an extraordinary novel. It is shattering, almost unbearable, yet – so good, so clear – it is unputdownable.’ – Roddy Doyle, Booker Prize-winning author of Paddy Clarke Ha Ha Ha

‘Deidre’s the kind of character who gets under your skin: furious, flawed and utterly unique. Jennings writes about broken people with unflinching honesty and deep compassion. A quietly devastating novel.’ – Jan Carson, author of The Raptures

Reviews:

“A perfectly realised fictional creation” – John Self, The Guardian

“‘Crooked Seeds’ is hard to read and impossible to look away from” – Ron Charles, The Washington Post

About the author:

KAREN JENNINGS is a South African writer whose novel An Island was longlisted for the Booker Prize in 2021. She is currently writer-in-residence as a post-doctoral fellow at the Laboratory for the Economics of Africa’s Past (LEAP), Stellenbosch University, and is writing a novel and short stories to contribute to the project. Karen co-founded The Island Prize for unpublished African authors to help them get published globally. Now in its third year, the prize has helped authors from all over the continent, with both winners being published in the UK.

Karen Jennings at the Rondebosch Book Club

Earlier today, Karen Jennings addressed the Rondebosch Book Club about her novel, An Island. She called her talk “The novel no one wanted to publish”. She had a copy of the UK edition of the book with her. It was the first time I held it in my hands. Until it was published, I did not know that one of the quotes used for its cover would be taken from a review I wrote of Space Inhabited by Echoes, Karen’s debut poetry collection, for the Cape Times. I am so happy that these words are featured on the back of the novel. I have loved Karen’s work for a very long time. It is such an honour to be able to publish it in South Africa.

An Island is now available in seventeen different editions around the world.

This is Karavan Press’s:

At the end of her talk, Karen read from her new novel, Crooked Seeds, to be published around the world in April 2024! We can’t wait to share it with South African readers.

Sunday Times Literary Awards: AN ISLAND by Karen Jennings shortlisted for the Fiction Prize

The shortlists of the prestigious Sunday Times Literary Awards have been announced and we are thrilled that An Island by Karen Jennings is nominated for the Fiction Prize! Congratulations, Karen, and all the other shortlisted authors.

FICTION PRIZE CRITERIA
The winner should be a novel of rare imagination and style, evocative, textured and a tale so compelling as to become an enduring landmark of contemporary fiction.

JUDGES: Ekow Duker (chair), Nomboniso Gasa, Kevin Ritchie

CHAIR OF JUDGES EKOW DUKER SAYS:

I’m sure we can all remember our school days when the teacher would pose a question to the class. Some pupils would immediately strain to answer. Others might look at each other in puzzlement, the answer tantalisingly out of reach. This year’s judging of the Fiction Prize was a little like that. Some novels by their magisterial telling of an important story, screamed at the judges to, “Pick me! Pick me!”. Others were more restrained, quietly confident in their ability to narrate a memorable tale. Each of the five books that made this year’s shortlist met the criteria but in remarkably different ways. An Island by Karen Jennings is a masterful depiction of a fragile life lived in near-solitude. With its cast of indentured labourers and colonial administrators, Joanne Joseph’s Children of Sugarcane took us on a meticulously detailed journey from India to the cruel fields of Natal, and back again. All Gomorrahs Are The Same by Thenjiwe Mswane gently lifts the veil of familiarity that shrouds the existence of three women, allowing us a powerfully intimate view into their inner lives. Damon Galgut’s The Promise, winner of the 2021 Booker Prize, is a compelling study of a once privileged family in terminal decline. Finally, and without any warning to buckle up, Junx by Tshidiso Moletsane, flung us headlong into the exhilaration of inner-city Joburg.

AN ISLAND
KAREN JENNINGS (Karavan Press)

Jennings doesn’t continue the postmodernist leitmotifs of living on an island which were established by Daniel Defoe’s Robinson Crusoe and JM Coetzee’s response to it in Foe. Our reviewer wrote: “Instead of writing ‘back’ to another text, she digs deeper into the long term impact of a colonist rule, and the twisted dictatorship that follows it. This allegorical tale could be read as a warning of the long lasting impact of fear, violence, depravity and poverty and the role isolation plays in feeding these conditions.” Our judges said: “Haunting in its depiction of a life lived in solitude, where the past is more real than the present. She is masterful in building the suspense, stone by blood-soaked stone.”

Read the full press release here: The 2022 Sunday Times Literary Awards shortlist